https://joseulloacosta.cargo.site Jose Ulloa Acosta Tue, 03 Feb 2026 12:44:15 +0000 https://joseulloacosta.cargo.site en https://joseulloacosta.cargo.site/JOSE-ULLOA-ACOSTA Thu, 09 Jul 2020 23:22:37 +0000 Jose Ulloa Acosta https://joseulloacosta.cargo.site/JOSE-ULLOA-ACOSTA &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;Photographic register of artistic intervention “Extemporaneus”&nbsp; at quarry stone. Guidonia. Italy. https://joseulloacosta.cargo.site/STATEMENT Tue, 01 Sep 2020 19:47:29 +0000 Jose Ulloa Acosta https://joseulloacosta.cargo.site/STATEMENT <img width="1701" height="317" width_o="1701" height_o="317" data-src="https://freight.cargo.site/t/original/i/898e85989acaa8b1959fcaffe698b79993b81d3da6be3c601b124afe675f1dd1/XT253972-Pano.jpg" data-mid="235108180" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/898e85989acaa8b1959fcaffe698b79993b81d3da6be3c601b124afe675f1dd1/XT253972-Pano.jpg" />Photo credits: Francisco Simó. [EN] My work functions as an artistic investigation into the ways in which extractive, technological, and raw material production systems configure our material and symbolic world. I develop an expanded sculptural practice that, through digital media, interrogates the relationships between geological matter, industrial infrastructure, and the cultural narratives underlying resource exploitation.I conceive of sculpture as an expanded and processual field. Through actions such as excavating, collecting, classifying, and modeling, I activate material fragments, industrial records, and technical archives. These are translated into objects, installations, moving images, sound, and&nbsp;3D digital models. These procedures generate displacements between the analog and the digital, where physical matter—rock, dust, mineral—coexists with data, simulations, and metadata. Following the development of the project Extemporánea, my research has shifted toward accelerated sedimentation: a practice that approaches large-scale additive manufacturing as a process of technological stratigraphy. I seek to explore the machine as an agent capable of simulating geological dynamics within human temporality, creating tension between productive infrastructure and territory. Ultimately, I understand sculpture as a process that challenges current notions of production, documentation, and&nbsp;ecological transition. [ES] Mi trabajo se articula como una investigación artística sobre los modos en que los sistemas extractivos, tecnológicos y de producción de materias primas configuran nuestro mundo material y simbólico. Desarrollo una práctica escultórica ampliada que, a través de medios digitales, interroga las relaciones entre materia geológica, infraestructura industrial y narrativas culturales que subyacen a la explotación de recursos. Concibo la escultura como un campo expandido y procesual. A partir de acciones como excavar, recopilar, clasificar y modelar, activo fragmentos materiales, registros industriales y archivos técnicos que se traducen en objetos, instalaciones, imágenes en movimiento, sonido y modelos digitales 3D. Estos procedimientos generan desplazamientos entre lo analógico y lo digital, donde la materia (roca, polvo, mineral) convive con datos, simulaciones y metadatos. Tras desarrollar el proyecto Extemporánea, mi investigación se desplaza hacia la sedimentación acelerada: una práctica que entiende la fabricación aditiva a gran escala como un proceso de estratigrafía tecnológica. Busco explorar la máquina como un agente capaz de simular dinámicas geológicas en la temporalidad humana, tensionando la relación entre infraestructura productiva y territorio. Finalmente, entiendo la escultura como un proceso que tensiona las nociones actuales de producción, registro y transición ecológica. https://joseulloacosta.cargo.site/CV Tue, 01 Sep 2020 19:47:15 +0000 Jose Ulloa Acosta https://joseulloacosta.cargo.site/CV <img width="1772" height="1181" width_o="1772" height_o="1181" data-src="https://freight.cargo.site/t/original/i/75312efcaf3c4140403a3903522bec7b41b781afd27bc0259874efbf25abf2bd/20241102_1141_XT252159_fransimo.jpg" data-mid="234108865" border="0" data-scale="47" src="https://freight.cargo.site/w/1000/i/75312efcaf3c4140403a3903522bec7b41b781afd27bc0259874efbf25abf2bd/20241102_1141_XT252159_fransimo.jpg" />&nbsp; &nbsp; &nbsp;<img width="5520" height="3680" width_o="5520" height_o="3680" data-src="https://freight.cargo.site/t/original/i/9ffd39ecc7838fda0679e5ad758dbc70d9d4881c79a3244199301ae1a0fab75f/_DSC0766Jose-cava-Guidonia.jpg" data-mid="235108442" border="0" data-scale="47" src="https://freight.cargo.site/w/1000/i/9ffd39ecc7838fda0679e5ad758dbc70d9d4881c79a3244199301ae1a0fab75f/_DSC0766Jose-cava-Guidonia.jpg" /> CV español BORN IN CHILE (1985). Sculpture, media artist and professor based in Santiago of Chile. EDUCATION&nbsp; 2011&nbsp; &nbsp; &nbsp; &nbsp; BA in Arts. Pontificia Universidad Católica De Chile. 2008 BA Arts Education &amp; Pedagogy in Arts.&nbsp; Universidad Metropolitana De Ciencias De La Educación. COMPLEMENTARY FORMATION 20153D modeling course. Achitecture faculty. Universidad De Chile. 2011Workshop at Fernando Sánchez Castillo (Esp). Universidad De ChileWorkshop Art &amp; Technology. Universidad Autonoma De Santiago. Chile. FELLOWSHIPS, STIPENDS, AWARDS&nbsp; 2024 Specialized funds for artistic creation by Vice-Rectorate for Research, Artistic Creation and PhD, Universidad Finis Terrae. Chile. FONDART National founds of artistic creation. Ministry of culture and arts. Chile.2022 Project White Lands in Santa Cruz de la Sierra (Bolivia). Contest Dirección de Asuntos Culturales del Ministerio de Relaciones Exteriores (DIRAC). Chile. 2021 &nbsp; &nbsp;FONDART National founds of artistic creation. Ministry of culture and arts. Chile. 2021 &nbsp; &nbsp;FONDART National founds of artistic creation. Ministry of culture and arts. Chile. 2020 &nbsp;&nbsp; FONDART National founds of artistic creation. Ministry of culture and arts. Chile. 2019 &nbsp;&nbsp; Prize APECH José Balmes. Painters and Sculptures Association of Chile (APECH), and Ministry of Cultures and Arts. Chile. 2018 &nbsp;&nbsp; Award Gabriela Mistral Gallery for Contemporary Art. Ministry of Cultures and Arts. Chile. FONDART National founds of artistic creation. Ministry of culture and arts. Chile. 2017 &nbsp;&nbsp; FONDART National founds of artistic creation. Ministry of culture and arts. Chile. 2013 &nbsp;&nbsp; Fellowship BBK-BILBAO ARTE Production and residency. BilbaoArte Fundazioa y Bizkaia Kutxa BBK. Bilbao. España. 2011 &nbsp;&nbsp; Showroom Contest, Ministry of Culture sand Arts and CHA.CO Fair. &nbsp;(finalist) 2005 &nbsp;&nbsp; Prize of sculpture Alumni Universidad Metropolitana de Ciencias de la Educación. Chile. RESIDENCES 2025 Summer residency Finis terrae school of Arts. Santiago. Chile. 2024 Arts and nature research center&nbsp; L’Aquila Reale di Licenza (RM). Italy. 2023 Residency CENAC, Contemporary National Art Center Cerrillos. Chile. 2015 &nbsp;&nbsp; La Tirana Móvil, Arts Faculty Pontificia Universidad Católica de Chile. La Tirana. Chile. 2013 &nbsp;&nbsp; Residency Fundazioa BilbaoArte. Bilbao. Spain. SOLO EXHIBITIONS 2025 Archivo Remoto. Oficina Viceversa. Santiago. Chile. 2024 Osservazioni improprie sul lapis tiburtinus. Palazzo Oraziano. Licenza (RM). Italy. 2023 White Lands. Manzana Uno art space. Santa cruz de la Sierra. Bolivia. 2022 Mining Data. Contemporary Art Museum U. de Chile. Santiago. Chile. Mining Data. Centro Extensión Patrimonio y cultura UOH. Ohiggins University. Rancagua. Chile. 2020Mechanical Logic Escapes All Human Will. APECH Gallery. Santiago. Chile. 2019&nbsp; Doodles for Us. Guillermo Núñez Gallery. Santiago. Chile.Fluxus, Metal Economies vol.3. Community Museum of Coya. Ohiggins Region. Chile.Interference, Metal Economies vol.2. Historical and Regional Museum of Rancagua. Chile. 2018&nbsp; &nbsp;La Fundación. Gabriela Mistral Gallery of Contemporary Arts. Santiago. ChileLLurimagua Project. Nahim Isaias Museum. Guayaquil. Ecuador.Diagram, Metal Economies vol.1. Agustín Ross Cultural Center. Pichilemu. Chile. 2017 &nbsp;&nbsp; Raw Material. Historical and Regional Museum of Rancagua. Chile. 2014 The Black, a Memory Problem. Sala AM. Santiago. Chile. 2013 The Ignorance of Development. Fundazioa Bilbaoarte. Bilbao. España. 2012 &nbsp; &nbsp; Poetics Abouts Ruins. Bicentenario Gallery, Centro Cultural Estación Mapocho. Chile.2011 &nbsp;&nbsp; Build the Ruins. Espacio Vilches. School of arts Pontificia Universidad Católica de Chile. GROUP EXHIBITIONS2025 Cruzar el tiempo. Parque de las Esculturas Providencia. Santiago. Chile. 2024 Tan lejos, tan cerca. OMA gallery. Santiago. Chile. Art Fair FAST. Feria Subterraneo Temporal. Santiago. Chile Persa del Arte. Factoria Santa Rosa Gallery. Santiago. Chile. 2023 &nbsp; .Art Fair Pinta Parc. Factoria Santa Rosa Gallery. Lima. &nbsp;Perú Art Fair MAPA. Oma Galeria. Buenos Aires. Argentina. Art Fair FAST. Feria Subterraneo Temporal. Santiago. Chile. 2022 &nbsp; Arte&amp;Punto. Patricia Ready Gallery. Santiago. Chile. 2019 &nbsp;&nbsp; Autorretrato/Autorreferencialidad. ACE Contemporary Art Foundation. Buenos Aires. Argentina. 2017 &nbsp;&nbsp; Reserva Federal. Infrarrojo Gallery. Santiago. Chile.(Des) centrarnos: cuanto más cerca más lejos (CNCA). Sala de Arte UCM, Talca. ChileDistrito 11. LOCAL Gallery. Santiago. Chile.Chile Limita al Centro. Museum of Contemporary Art (Traslado Program). Santiago. Chile. 2016 &nbsp;&nbsp; Biblioteca Audiovisual. Contemporary art fair Mercado del Arte. Córdoba. Argentina. 2014 &nbsp;&nbsp; Young Art Contest Minera Escondida. Visual Arts Museum MAVI. Santiago. Chile.2013 &nbsp;&nbsp; Puertas Abiertas, Fundazioa&nbsp; Bilbaoarte. España.The History of the creative. See space New York. USA.Vector Game+Art Convergence. Toronto. Canada.2012 &nbsp;&nbsp; País Emergente. Balmaceda Young Art Gallery. Santiago. Chile.Project Berlin: Not Only. Factory Art Gallery Berlín. Germany.2011 &nbsp;&nbsp; Young Art Contest, Cabeza de Ratón. Visual Arts Museum MAVI. Chile. 2011 &nbsp;&nbsp; OCUPA: 20 artistas &amp; 1 curadora. José Miguel de la Barra Space. Santiago Chile.Puentes, Caminos en el Agua. Museum of Contemporary Art MAC. Chile.Showroom. Pabellón del Centro Nacional de la cultura y las artes (CNCA), Feria CH.ACO. Chile.Concurso Universitario Balmaceda Arte Joven. Museum of Contemporary Art MAC. Chile.&nbsp; 2010 &nbsp;&nbsp; Nuevos Imaginarios, Sala Zegers , Universidad de Chile. Santiago. Chile.Operación Novela. Biblioteca de Santiago. Chile.Fuera de lugar. Galería Guillermo Núñez. Santiago. Chile. PERFORMANCES, PRESENTATIONS, SCREENINGS&nbsp; 2025 Extemporanea artist book presentation. Museo Bellas Artes de Chile.&nbsp; Art Laboratory: Speculations on Stone Extraction, Sculpture, and technological reproduction. Museo Bellas Artes de Chile. 2019 Dossiere presentation. Atellier 4 School of arts Universidad Finis Terrae. Chile. 2016 &nbsp;&nbsp; Dossiere presentation to curators of Traslado Program. Historical and Regional Museum of Rancagua. Ministry of Cultures and Arts. Chile. (selected) 2014 &nbsp;&nbsp; Performance, Monument to the Ruin. Artistic intervention at public space on Rancagua, collaboration of City Council of Rancagua. Chile 2013 &nbsp;&nbsp; Performance, The Brick Launcher in Love. Artistic intervention at public space on Bilbao City. Spain. collaboration of City Council of Bilbao and Bilbaoarte Foundation.Dossiere presentation (art works in residency). Auditorium of Bilbaoarte. Bilbao. Spain.Screening artworks The History of the Creative. See space New york. USA. 2012 &nbsp;&nbsp; Presentation Dossier at Showroom Pabillion of National Center of Arts and Cultures, Cha.Aco Fair. Chile. ARTWORKS IN PUBLIC COLLECTIONS 2020 &nbsp;&nbsp; UNFINISHED STRUCTURE FOR A NO CONCLUSIVE PROCESS (2017)Art Collection of Ministery of culture and arts. Chile. SPECULAR&nbsp; -Big Mirror-&nbsp; (2017) 450 mirror-polished coper plates (2mm), and black rubber support. Dimensions 4,5 x 5,3 mts.&nbsp;https://www.youtube.com/watch?v=69BzIKvpSGkRESIDUAL EFFECTS: Video Instalation: video 1, Panoramic view of Mineral el Teniente; Video 2 Invertir la Pirámide; Video&nbsp; 3, Reconstitution. Materia Prima Project. FONDART (R) 2017Art Collection of Gabriela Mistral Gallery. Chile. 2018 ESPECIES ALIENS. Escultura de resina, fibra de vidrio, nitrato, tierra y secuoya. 50 x50 x 300 cm; documentos de archivo, carta de Harry Guggnehiem. Galería Gabriela Mistral. Ministerio de las Culturas y las Artes. N.N (Nilan Nivelic). Video animación digital. FHD 1920 x 1080. Colección de arte contemporáneo Art Collection of Gabriela Mistral Gallery. Chile. 2013 EL ENAMORADO LANZADOR DE LADRILLOS: UNA ARQUEOLOGÍA DEL PRESENTE. Fundazioa BilbaoArte Collection and city council of Bilbao, Spain. CATALOGUES AND PUBLICATIONS 2025 Extemporénea artist book. Museo bellas artes. Chile.2023 Catalogue White Lands.&nbsp;Manzana Uno art space. Santa cruz de la Sierra. Bolivia. 2022 Catalogue Mining Data exhibition. Contemporary art museum. Chile. 2021 Catalogue “El poder de las rocas”. Ignacio Helmke and Jose Ulloa Acosta. Ministry of culture and arts. Chile. 2019 &nbsp;&nbsp; Book ''El Tema es la Materia". Lecturas Ediciones and Subsecretaria de las Culturas y las Artes. Chile. 2018 &nbsp; Catalogue “La Fundación”, Galería Gabriela Mistral. Ministry of culture and arts. Chile. 2017 &nbsp; Catalogue “Chile Limita al Centro”, Traslado Program of National center of art and culture. Chile. 2016 &nbsp; Catalogue “Biblioteca Audiovisual”. Mercado del Arte contemporary art fair. Córdoba. Argentina. 2014 &nbsp; Triptych exhibition “El negro, un problema de memoria”. School of arts Universidad Mayor. Chile 2013 &nbsp;&nbsp; Catalogue “Puertas Abiertas” artist residents of Fundazioa Bilbaoarte. Bilbao, Spain.Catalogue “Project Berlin: Not Only”. Factory art Gallery. Berlin, Germany. 2012 &nbsp;&nbsp; Catalogue “Showroom CNCA at Ch.ACO fair”. National center of art and culture. Chile Catalogue “Blamaceda Young Art”.&nbsp; Balmaceda Arte Joven and Museum of contemporary art. Chile. 2011 &nbsp;&nbsp; Book “The Art of History of Fernando&nbsp;Sánchez&nbsp;Castillo”. School of arts Universidad de Chile.Catalogue "Puentes, Caminos en&nbsp;el agua", Museum of contemporary art &nbsp;MAC. The Ministry of Foreign Affairs, European Union and Cooperation Spain. ChileTriptych exhibition "Built the Ruin". School of arts Pontificia Universidad Católica de Chile. 2007 &nbsp;Triptych exhibition "Salón de los estudiantes", School of Arts Universidad Metropolitana de Ciencia de la Educación. Chile. 2005 &nbsp;&nbsp; Triptych exhibition "Salón de los estudiantes", School of Arts Universidad Metropolitana de Ciencia de la Educación. Chile WORKSHOPS &amp; ENCOUNTER, TALKS 2023 La nochde de las ideas,&nbsp; Qué esconde la IA?. Centro cultural palacio de la moneda. Instituto Frances de Chile. 2019 &nbsp;&nbsp; Talks whit Schools and community of Coya, Rancagua and Pichilemu.&nbsp; Metal Economies vol.1, 2 ,3. Community Museum of Coya; Historical and Regional &nbsp; &nbsp; &nbsp;&nbsp; Museum of Rancagua ; Agustín Ross Cultural Center Pichilemu. Ohiggins Region. Chile. 2018 &nbsp;&nbsp; Talks about La Fundación Project. Art student at Pontificia Universidad Católica and Universidad Finis Terrae. Gabriela Mistral Gallery of Contemporary Arts. Chile. 2017 &nbsp;&nbsp; Sculpture Workshop about Raw Material Project for school students. Historical and Regional Museum of Rancagua. Chile.Talks about Raw Material Project. Historical and Regional Museum of Rancagua. Chile. ARTICLES AND INTERVIEWS 2022https://mac.uchile.cl/wp-content/uploads/2022/09/EXH.2022.PF_.20.pdf 2018 &nbsp;&nbsp; Review La Fundación. Relieve contemporaneo digital issues. http://relievecontemporaneo.com/la-fundacion/ La Fundación, o ¿cómo chile perdió la oportunidad de tener un museo Guggenheim?.&nbsp; Arte al Limite magazine Chile. November 06. https://www.arteallimite.com/2018/11/06/la-fundacion-o-como-chile-perdio-la-oportunidad-de-tener-un-museo-guggenheim/ Review of La Fundación, at Arte al Limite magazine Chile.&nbsp; 16 october.&nbsp; 2017 &nbsp;&nbsp; Visual Artist bring us the 1981 copper worker strike. Interview at El Caballo Verde magazine Rancagua. Chile. Year 2. Nº11, June. 2015 &nbsp;&nbsp; Review Mercado del arte at La Voz Newspaper. Cordoba. Argentina. 2014 &nbsp;&nbsp; Review Young Promises of Arts at ARTES Y LETRAS El Mercurio Newspaper.&nbsp; Chile. 2013 &nbsp;&nbsp; Interview at Bilbaoarte web. Spain. https://vimeo.com/641566242011 &nbsp;&nbsp; Poetics about ruins, article at Bio-Bio radio.&nbsp; WORK EXPERIENCE 2017-2025Professor Digital Image I. School of Arts Finis Terrae University. Chile. 2014-2016 &nbsp; &nbsp; &nbsp;&nbsp; Professor 3D Laboratory. School of Arts Pontificia Universidad Católica de Chile. 2014-2023&nbsp; &nbsp; &nbsp; &nbsp;&nbsp;Designer &amp; manager Patrimony Project at Ediciones UC. Pontificia Universidad Católica de Chile. &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; https://joseulloacosta.cargo.site/PUBLISHING Wed, 16 Jun 2021 22:03:37 +0000 Jose Ulloa Acosta https://joseulloacosta.cargo.site/PUBLISHING Extemporánea2025 <img width="637" height="903" width_o="637" height_o="903" data-src="https://freight.cargo.site/t/original/i/f003edb6093d294249c54d7c88f994cdbe7f4c848fc7552d7d28cfd2a01f08d8/portadaextempo.jpg" data-mid="239891704" border="0" data-scale="83" src="https://freight.cargo.site/w/637/i/f003edb6093d294249c54d7c88f994cdbe7f4c848fc7552d7d28cfd2a01f08d8/portadaextempo.jpg" /> MINING DATA 2022 <img width="1837" height="2434" width_o="1837" height_o="2434" data-src="https://freight.cargo.site/t/original/i/e44914e9011c2d064ec88bc6bc4be767746c55d74bcc4e95c889224413c5de26/tapaminingdata.jpg" data-mid="155052064" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/e44914e9011c2d064ec88bc6bc4be767746c55d74bcc4e95c889224413c5de26/tapaminingdata.jpg" /> CARTOGRAFÍA VISUAL 2022 <img width="850" height="1276" width_o="850" height_o="1276" data-src="https://freight.cargo.site/t/original/i/e9e7b27e491f8ddc15488e95222b5170ee57dc35fdc6ef28f96db077d30151d6/Captura-de-Pantalla-2022-10-06-a-las-13.37.00.png" data-mid="155070631" border="0" data-scale="61" src="https://freight.cargo.site/w/850/i/e9e7b27e491f8ddc15488e95222b5170ee57dc35fdc6ef28f96db077d30151d6/Captura-de-Pantalla-2022-10-06-a-las-13.37.00.png" /> HOJA MAC2022 <img width="790" height="1200" width_o="790" height_o="1200" data-src="https://freight.cargo.site/t/original/i/eca75864f5c40e42914557549cc0cc775af21a4a20d3df97373b800bd4be51e2/Captura-de-Pantalla-2023-04-11-a-las-12.57.20.png" data-mid="174971275" border="0" data-scale="86" data-marker-id="2" src="https://freight.cargo.site/w/790/i/eca75864f5c40e42914557549cc0cc775af21a4a20d3df97373b800bd4be51e2/Captura-de-Pantalla-2023-04-11-a-las-12.57.20.png" /> EL PODER DE LAS ROCAS 2020-2021 <img width="591" height="758" width_o="591" height_o="758" data-src="https://freight.cargo.site/t/original/i/5f4dddea5eac9dcbbe0273a2e2465df0c485a309b639d0ab31051752583fe55d/Capa-0.jpg" data-mid="123518795" border="0" data-scale="88" src="https://freight.cargo.site/w/591/i/5f4dddea5eac9dcbbe0273a2e2465df0c485a309b639d0ab31051752583fe55d/Capa-0.jpg" /> EL TEMA ES LA MATERIA 2019 <img width="1360" height="1072" width_o="1360" height_o="1072" data-src="https://freight.cargo.site/t/original/i/b0c0ef9c28424fe71a7f18b4ae6828281f45ca0d6d9034275c971525022caf0f/Captura-de-Pantalla-2021-06-16-a-las-12.34.29.png" data-mid="111567987" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/b0c0ef9c28424fe71a7f18b4ae6828281f45ca0d6d9034275c971525022caf0f/Captura-de-Pantalla-2021-06-16-a-las-12.34.29.png" /> LA FUNDACION 2018 <img width="431" height="555" width_o="431" height_o="555" data-src="https://freight.cargo.site/t/original/i/2e6c172275f56a87f07d2822c532f56498bfb10a36d50d64239697a43e2a91d3/gg.jpg" data-mid="111567902" border="0" data-scale="67" src="https://freight.cargo.site/w/431/i/2e6c172275f56a87f07d2822c532f56498bfb10a36d50d64239697a43e2a91d3/gg.jpg" /> CATALOGUE TRASLADO 2018<img width="660" height="986" width_o="660" height_o="986" data-src="https://freight.cargo.site/t/original/i/957bc9dd83683a571c46bfea82e617377b2f548fdd8a0f5d031daedccbbac18f/Captura-de-Pantalla-2021-06-16-a-las-18.19.42.png" data-mid="111568400" border="0" data-scale="83" src="https://freight.cargo.site/w/660/i/957bc9dd83683a571c46bfea82e617377b2f548fdd8a0f5d031daedccbbac18f/Captura-de-Pantalla-2021-06-16-a-las-18.19.42.png" /> CATALOGUE BILBAO ARTE FUNDAZIO 2013 <img width="539" height="709" width_o="539" height_o="709" data-src="https://freight.cargo.site/t/original/i/c09fac4e773de972733693c213d4b65b1b1c2b6246ddb758a835e855c1ff5ade/Capa-0.jpg" data-mid="123522200" border="0" data-scale="89" src="https://freight.cargo.site/w/539/i/c09fac4e773de972733693c213d4b65b1b1c2b6246ddb758a835e855c1ff5ade/Capa-0.jpg" /> CATALOGUE NOT ONLY2012 <img width="820" height="580" width_o="820" height_o="580" data-src="https://freight.cargo.site/t/original/i/9f74a6102e15dfa81fb7c6ca90844db2c03f1f9972f7a87c66f0846f0131a9a4/Captura-de-Pantalla-2021-06-16-a-las-18.22.51.png" data-mid="111568538" border="0" data-scale="100" src="https://freight.cargo.site/w/820/i/9f74a6102e15dfa81fb7c6ca90844db2c03f1f9972f7a87c66f0846f0131a9a4/Captura-de-Pantalla-2021-06-16-a-las-18.22.51.png" /> SHOWROOM 2011 <img width="732" height="976" width_o="732" height_o="976" data-src="https://freight.cargo.site/t/original/i/2d5f851756702b746d39e8d83715be6aba0038290c7319e325cd66e49aa98852/Captura-de-Pantalla-2021-11-04-a-las-10.31.16.png" data-mid="123578144" border="0" data-scale="87" src="https://freight.cargo.site/w/732/i/2d5f851756702b746d39e8d83715be6aba0038290c7319e325cd66e49aa98852/Captura-de-Pantalla-2021-11-04-a-las-10.31.16.png" /> Digital Portfolio https://joseulloacosta.cargo.site/SELECTED-WORKS Wed, 02 Sep 2020 00:04:58 +0000 Jose Ulloa Acosta https://joseulloacosta.cargo.site/SELECTED-WORKS Selected Artworks 2025-24. PROXY. 2K full-color video documentation with stereo audio. Screened in the José Miguel Blanco Gallery, National Museum of Fine Arts of Chile. Artistic intervention in the stone quarries of Guidonia, Lazio (Italy), using a fragment replicated through 3D printing (PLA biopolymer) from the sculpture Galvarino by José Miguel Blanco (1873, Collection of the National Museum of Fine Arts of Chile), a work produced by Blanco during his stay in Rome. <img width="5733" height="3822" width_o="5733" height_o="3822" data-src="https://freight.cargo.site/t/original/i/c78abc291d3b160c138dd9625eab5c800bd4b4189f3cb8b6d69c230011500f0c/1X4A3663.jpg" data-mid="150554709" border="0" data-scale="98" src="https://freight.cargo.site/w/1000/i/c78abc291d3b160c138dd9625eab5c800bd4b4189f3cb8b6d69c230011500f0c/1X4A3663.jpg" /> 2022. White lands( Tierras Blancas). Video animation digital. Full HD and stereo sound. Time 3:00 minutes loop. Collaboration Alvaro Muñoz. This video simulates a monumental stone sculpture with portrait linkage to Guggenheim Family, who through their multinational companies were the promoters of the large-scale copper and nitrates mining in Chile and worldwide. This artwork uses humor and irony to articulate a critic around the philanthropic figures of the 20th century, who after exploiting the territories of the third world, turned part of their resources to patronage activities in the arts. <img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/486c39dc9526d6bc3ee4d76230b2af373770fbc25dd31354e6cf14501e7cd626/1X4A3652.jpg" data-mid="150554706" border="0" src="https://freight.cargo.site/w/1000/i/486c39dc9526d6bc3ee4d76230b2af373770fbc25dd31354e6cf14501e7cd626/1X4A3652.jpg" /> <img width="5315" height="3543" width_o="5315" height_o="3543" data-src="https://freight.cargo.site/t/original/i/3a49cb0a3a3c71c2ade381de936e4f8a40f181e9253777e1a91d115754e83f08/IMG_0153.jpg" data-mid="175386355" border="0" src="https://freight.cargo.site/w/1000/i/3a49cb0a3a3c71c2ade381de936e4f8a40f181e9253777e1a91d115754e83f08/IMG_0153.jpg" /> <img width="5315" height="3543" width_o="5315" height_o="3543" data-src="https://freight.cargo.site/t/original/i/0516b7502d9c1b78c983963e2bc3f04f498728b462eef43d539ca1670464231c/IMG_0154.JPG" data-mid="175379344" border="0" src="https://freight.cargo.site/w/1000/i/0516b7502d9c1b78c983963e2bc3f04f498728b462eef43d539ca1670464231c/IMG_0154.JPG" /> <img width="3110" height="2047" width_o="3110" height_o="2047" data-src="https://freight.cargo.site/t/original/i/0907194e027baf8cce7172411651d4ca4f4f70df1a4f2de4e3757c2dddbfedd9/detalle2.jpg" data-mid="175379480" border="0" src="https://freight.cargo.site/w/1000/i/0907194e027baf8cce7172411651d4ca4f4f70df1a4f2de4e3757c2dddbfedd9/detalle2.jpg" /> <img width="3840" height="2560" width_o="3840" height_o="2560" data-src="https://freight.cargo.site/t/original/i/cd89f40536e11a862e711ed3e47eef303ec238e7f190337d656506bc4c0bca7a/detallear01.jpg" data-mid="175386148" border="0" src="https://freight.cargo.site/w/1000/i/cd89f40536e11a862e711ed3e47eef303ec238e7f190337d656506bc4c0bca7a/detallear01.jpg" /> <img width="5315" height="3543" width_o="5315" height_o="3543" data-src="https://freight.cargo.site/t/original/i/ab0cbcb6c472d35ccdfe9919d2f55037fa39af5479417f4c5a3076e93bd6b192/IMG_8794.JPG" data-mid="175379438" border="0" src="https://freight.cargo.site/w/1000/i/ab0cbcb6c472d35ccdfe9919d2f55037fa39af5479417f4c5a3076e93bd6b192/IMG_8794.JPG" /> <img width="5315" height="3543" width_o="5315" height_o="3543" data-src="https://freight.cargo.site/t/original/i/6a50cc8fba04c09000a564d1b056759f0e42522077342f8a8a3bac78ed0563c7/IMG_9652.JPG" data-mid="175380112" border="0" src="https://freight.cargo.site/w/1000/i/6a50cc8fba04c09000a564d1b056759f0e42522077342f8a8a3bac78ed0563c7/IMG_9652.JPG" /> <img width="5432" height="3622" width_o="5432" height_o="3622" data-src="https://freight.cargo.site/t/original/i/89fdd8e4b47eeee55bab3fd4e166948f5e27529447c4a2ddd784aefaeb6ebba2/1X4A3651.jpg" data-mid="150554705" border="0" src="https://freight.cargo.site/w/1000/i/89fdd8e4b47eeee55bab3fd4e166948f5e27529447c4a2ddd784aefaeb6ebba2/1X4A3651.jpg" /> <img width="3399" height="2243" width_o="3399" height_o="2243" data-src="https://freight.cargo.site/t/original/i/93527cbfc11c0164b121f99b045973e20c9bcf4893fe5f13cc231e8fd809fb3b/detalle1.jpg" data-mid="175379483" border="0" src="https://freight.cargo.site/w/1000/i/93527cbfc11c0164b121f99b045973e20c9bcf4893fe5f13cc231e8fd809fb3b/detalle1.jpg" /> <img width="3840" height="2560" width_o="3840" height_o="2560" data-src="https://freight.cargo.site/t/original/i/5836c1a5fb821ef77fe73f5cd98708f4d0c1295d481a3a9fa126aa3791fb9aed/detallear02.jpg" data-mid="175386149" border="0" src="https://freight.cargo.site/w/1000/i/5836c1a5fb821ef77fe73f5cd98708f4d0c1295d481a3a9fa126aa3791fb9aed/detallear02.jpg" /> 2022. Remote Archive.&nbsp; 14 documents printed on metacrilate surfaces, metallic support and metallics figures copper plating. 540 x&nbsp; 67 cms. Collaboration: Archivo Histórico de Coya. www.archivohistorico.cl Ubicación: American camp of Coya Mineral El Teniente CODELCO. Machalí. Chile. This archive are a series of unpublished communication documents (memos and letters), those reveal the political and economic influences of Guggenheim Brothers Co. with Chilean politic structure and chilean state. <img width="3353" height="5030" width_o="3353" height_o="5030" data-src="https://freight.cargo.site/t/original/i/a683a9f5c89274b485dd5f302bd1ba1d0498ede16f96ebf339e43c9b6b7b49fc/1X4A3584.jpg" data-mid="150554688" border="0" data-scale="57" src="https://freight.cargo.site/w/1000/i/a683a9f5c89274b485dd5f302bd1ba1d0498ede16f96ebf339e43c9b6b7b49fc/1X4A3584.jpg" /> <img width="2016" height="3196" width_o="2016" height_o="3196" data-src="https://freight.cargo.site/t/original/i/56cf3bd2f38e1878b2e47a627106861d74532a79b144473f04834cc28aa9c713/metadata2.jpg" data-mid="175110328" border="0" data-scale="57" src="https://freight.cargo.site/w/1000/i/56cf3bd2f38e1878b2e47a627106861d74532a79b144473f04834cc28aa9c713/metadata2.jpg" /> 2022. Metadata I. UV map (digital textures), printed on transparent acetate. Dimensions: 67 x 100 cm. <img width="3356" height="5034" width_o="3356" height_o="5034" data-src="https://freight.cargo.site/t/original/i/b938e4fddbc3d1a668e43031358c7b70581c71d5c8093564e9945ec1edf00f33/1X4A3575.jpg" data-mid="175099626" border="0" data-scale="46" src="https://freight.cargo.site/w/1000/i/b938e4fddbc3d1a668e43031358c7b70581c71d5c8093564e9945ec1edf00f33/1X4A3575.jpg" /> <img width="1941" height="2587" width_o="1941" height_o="2587" data-src="https://freight.cargo.site/t/original/i/9ec94ad1c6f67cbf4f636d0ba27bd410c992d59abff3d28336ce3947807ad6fa/IMG_20220206_103457.jpg" data-mid="175106643" border="0" data-scale="52" src="https://freight.cargo.site/w/1000/i/9ec94ad1c6f67cbf4f636d0ba27bd410c992d59abff3d28336ce3947807ad6fa/IMG_20220206_103457.jpg" /> <img width="3840" height="5760" width_o="3840" height_o="5760" data-src="https://freight.cargo.site/t/original/i/0d32ae8d7041ec8ae68c2122cfa2d0cd3c9d61a9dd216df57b82c8a93eb5f9a7/1X4A3632.jpg" data-mid="175107866" border="0" data-scale="46" src="https://freight.cargo.site/w/1000/i/0d32ae8d7041ec8ae68c2122cfa2d0cd3c9d61a9dd216df57b82c8a93eb5f9a7/1X4A3632.jpg" /> 2022. Dome Guggenheim. Sculpture in steel sheets and copper plating. Dimensions 75x 75 x 25 cm. Dome model of S.R. Guggenheim foundation museum building in New York. <img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/66ea413efd98538ecde2a3c7b1262b69f484bd1c8dbe7620e21661be60222c78/1X4A3606.jpg" data-mid="175096219" border="0" src="https://freight.cargo.site/w/1000/i/66ea413efd98538ecde2a3c7b1262b69f484bd1c8dbe7620e21661be60222c78/1X4A3606.jpg" /> <img width="5504" height="3669" width_o="5504" height_o="3669" data-src="https://freight.cargo.site/t/original/i/a325e4d09f56c462735106593ba72763d5f96902f0373787e07ed87583f3afa4/1X4A3569.jpg" data-mid="175096129" border="0" src="https://freight.cargo.site/w/1000/i/a325e4d09f56c462735106593ba72763d5f96902f0373787e07ed87583f3afa4/1X4A3569.jpg" /> <img width="5535" height="3690" width_o="5535" height_o="3690" data-src="https://freight.cargo.site/t/original/i/4b0db0e34b51372d6bf8218b94603cc612b8d711532474e1fa7818b58a0955e1/1X4A3614.jpg" data-mid="150554700" border="0" src="https://freight.cargo.site/w/1000/i/4b0db0e34b51372d6bf8218b94603cc612b8d711532474e1fa7818b58a0955e1/1X4A3614.jpg" /> <img width="5393" height="3596" width_o="5393" height_o="3596" data-src="https://freight.cargo.site/t/original/i/dc1f6d65ce01035df7ae9d50abb57b55c98d1a6d2f53ce2e2c9e29a5f4b09a37/1X4A3598.jpg" data-mid="175097105" border="0" src="https://freight.cargo.site/w/1000/i/dc1f6d65ce01035df7ae9d50abb57b55c98d1a6d2f53ce2e2c9e29a5f4b09a37/1X4A3598.jpg" /> <img width="3731" height="5597" width_o="3731" height_o="5597" data-src="https://freight.cargo.site/t/original/i/940d1ccd35b8a70b873d271fbd5fad9aa4ea250ba29a70399051ed7075912947/1X4A3611.jpg" data-mid="150554698" border="0" data-scale="45" src="https://freight.cargo.site/w/1000/i/940d1ccd35b8a70b873d271fbd5fad9aa4ea250ba29a70399051ed7075912947/1X4A3611.jpg" /> <img width="3840" height="5760" width_o="3840" height_o="5760" data-src="https://freight.cargo.site/t/original/i/d1ab51289540d7bb3463eb8c2a6658a1e963f7429601cb94267df26bcd0e7488/1X4A3613.jpg" data-mid="150554697" border="0" data-scale="46" src="https://freight.cargo.site/w/1000/i/d1ab51289540d7bb3463eb8c2a6658a1e963f7429601cb94267df26bcd0e7488/1X4A3613.jpg" /> 2022. Red is the color of creation. Red polychrome wooden sculpture and archival documents printed on transparent acetate. Sculpture dimensions 193 x 150 x 80 cm. Archival Documents, enlargement and digital Copy of Guggenheim Museum project sketch by F. Lloyd Wright, September 1943 (The museum of modern art Avery Architectural &amp; Fine arts Library, Columbia University, New York); Political Situation, report of the El Teniente Mine plant controller, Sewell, 1931. <img width="5385" height="3590" width_o="5385" height_o="3590" data-src="https://freight.cargo.site/t/original/i/277330d310acb33424cf8192a4e2d56ad8676e95d74f027b61b72cea5eced2c6/1X4A3588.jpg" data-mid="150554691" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/277330d310acb33424cf8192a4e2d56ad8676e95d74f027b61b72cea5eced2c6/1X4A3588.jpg" /> 2021. White lands II. &nbsp;(HARRY, SALOMON AND PEGGY GUGGENHEIM PORTRAITS), FROM THE NON.MONUMENTS SERIE. Digital render&nbsp; printed on photo rag metallic Hahnemühle 340 g paper. Size 85 x 55 cms. The Non.monument serie are renders printed on metallic paper and modelated by computer. Those 3d digital models are character sculpture simulation of Guggenheim family linked with art foundations and the copper bussines empire, periode of the industrial colonialism in southamerica in twenty century.&nbsp; <img width="5174" height="3449" width_o="5174" height_o="3449" data-src="https://freight.cargo.site/t/original/i/951b7920bd83a3c3ae5dca7006515199e4fafc8b7a8dd1ff327b2d06287189bf/1X4A3571.jpg" data-mid="150554685" border="0" src="https://freight.cargo.site/w/1000/i/951b7920bd83a3c3ae5dca7006515199e4fafc8b7a8dd1ff327b2d06287189bf/1X4A3571.jpg" /> <img width="3538" height="5307" width_o="3538" height_o="5307" data-src="https://freight.cargo.site/t/original/i/c8b453b0dde976219118985bdd32e08e232694f976eb251d9d5c797de9cf53cd/1X4A3597.jpg" data-mid="150554695" border="0" data-scale="48" src="https://freight.cargo.site/w/1000/i/c8b453b0dde976219118985bdd32e08e232694f976eb251d9d5c797de9cf53cd/1X4A3597.jpg" /> <img width="3538" height="5307" width_o="3538" height_o="5307" data-src="https://freight.cargo.site/t/original/i/1c2bf6b451b5229964166023350ea9c0ca1e4dc6d8a9b3080e78fa0554480836/1X4A3596.jpg" data-mid="150554694" border="0" data-scale="48" src="https://freight.cargo.site/w/1000/i/1c2bf6b451b5229964166023350ea9c0ca1e4dc6d8a9b3080e78fa0554480836/1X4A3596.jpg" /> <img width="3538" height="5307" width_o="3538" height_o="5307" data-src="https://freight.cargo.site/t/original/i/ba4f92129d97fac27281506c1016234596e86e8a225ed98f4c0bd5bae596b134/1X4A3595.jpg" data-mid="150554693" border="0" data-scale="48" src="https://freight.cargo.site/w/1000/i/ba4f92129d97fac27281506c1016234596e86e8a225ed98f4c0bd5bae596b134/1X4A3595.jpg" /> 2021. Series NON. MONUMENTS. Digital models rendered and printed on photo rag metallic Hahnemühle 340 g paper. Computer modeled images simulating ruins of portrait sculptures of Harry Frank, Salomon Robert and Marguerite "Peggy" Guggenheim. <img width="4453" height="2903" width_o="4453" height_o="2903" data-src="https://freight.cargo.site/t/original/i/90f7c11b46bfd331dccf67649bad2fb18dd93ad81971b6c2acb8da1fe0c2cdf6/penazcazo_montaje-CC2.jpg" data-mid="116345868" border="0" data-scale="95" src="https://freight.cargo.site/w/1000/i/90f7c11b46bfd331dccf67649bad2fb18dd93ad81971b6c2acb8da1fe0c2cdf6/penazcazo_montaje-CC2.jpg" /> <img width="8268" height="5593" width_o="8268" height_o="5593" data-src="https://freight.cargo.site/t/original/i/5526c47c0b0a5467e0bd40c98cf42e008428403d993c4e37fa01c6d476640f09/Escultura-1.jpg" data-mid="123995413" border="0" data-scale="82" src="https://freight.cargo.site/w/1000/i/5526c47c0b0a5467e0bd40c98cf42e008428403d993c4e37fa01c6d476640f09/Escultura-1.jpg" /> Peñascazo (2021) Three screen monitors (55”, 50” and 40”). &nbsp;Full HD video and digital animated model of Los Pelambres mining copper. <img width="2824" height="4000" width_o="2824" height_o="4000" data-src="https://freight.cargo.site/t/original/i/25eeb9f13c8f56d905e12e31a579e55b8b77cf06690ae1093d9f5d36fbeb1f3a/ECM06292-RCC.jpg" data-mid="175548668" border="0" data-scale="85" src="https://freight.cargo.site/w/1000/i/25eeb9f13c8f56d905e12e31a579e55b8b77cf06690ae1093d9f5d36fbeb1f3a/ECM06292-RCC.jpg" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/e84c3d29397ed779ea66c92136d532e34ee15013948801955835d15e834b5404/ECM06294-RCC.jpg" data-mid="116345867" border="0" src="https://freight.cargo.site/w/1000/i/e84c3d29397ed779ea66c92136d532e34ee15013948801955835d15e834b5404/ECM06294-RCC.jpg" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/5689c8981ea66d86b6cb3c5137e7e2e005927b0faeabd3637f9cc885db84b9c3/ECM06345.JPG" data-mid="116345871" border="0" src="https://freight.cargo.site/w/1000/i/5689c8981ea66d86b6cb3c5137e7e2e005927b0faeabd3637f9cc885db84b9c3/ECM06345.JPG" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/a6030603e0a49b0e98a7a4e0ba800730521fc490acbeb3aab7fe05684f6c9e97/ECM06334.JPG" data-mid="116345870" border="0" src="https://freight.cargo.site/w/1000/i/a6030603e0a49b0e98a7a4e0ba800730521fc490acbeb3aab7fe05684f6c9e97/ECM06334.JPG" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/746fead41f2caf1624c22dda260186d6d71f4be2a0e8db4fbcf6c0833cb6793e/ECM06364-CC.jpg" data-mid="116346165" border="0" src="https://freight.cargo.site/w/1000/i/746fead41f2caf1624c22dda260186d6d71f4be2a0e8db4fbcf6c0833cb6793e/ECM06364-CC.jpg" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/706589633496a9a50dea60e30150b5e0fb3b9f8b14acdd28effbc62ccd4cc991/ECM06332.jpg" data-mid="116345869" border="0" src="https://freight.cargo.site/w/1000/i/706589633496a9a50dea60e30150b5e0fb3b9f8b14acdd28effbc62ccd4cc991/ECM06332.jpg" /> 2021. MAU (El Mauro). Pulished steel structure, copper plates and steel clamps. Size 200 x 100 x 300 cms. Feat Ignacion Helmke. Featuring Ignacio Helmke. Modular sculpture that present a serie of empty boxes, that on its copper plates surfaces are etched precolombus petroglyphs missed in El mauro area, devastated by Los pelambres mining company. Public art collection of Coquimbo council city, Chile. <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/1569478a13fbcd162086b6b1ce9151207880cf13a95a24759ee39fa9449bc645/ECM06470.jpg" data-mid="123995412" border="0" data-scale="47" src="https://freight.cargo.site/w/1000/i/1569478a13fbcd162086b6b1ce9151207880cf13a95a24759ee39fa9449bc645/ECM06470.jpg" />&nbsp; &nbsp; &nbsp;&nbsp; <img width="886" height="591" width_o="886" height_o="591" data-src="https://freight.cargo.site/t/original/i/6e8e6a13169afd66cdbaf3d65e4d89b098bc6902dbcdffb9c603fee4c318cec9/mlp1_1.jpg" data-mid="125946724" border="0" data-scale="47" src="https://freight.cargo.site/w/886/i/6e8e6a13169afd66cdbaf3d65e4d89b098bc6902dbcdffb9c603fee4c318cec9/mlp1_1.jpg" /> 2021. Peñazco 1 (MLP 1).&nbsp;Copper sculpture of Pelambres mining of Chile. Size 10x 6,5 x 4 cms. A copper smelted model sculpture of Minera Los Pelambres or MLP is created in order to raise up the imaginary of &nbsp;the most high rated copper mine in southamerica. <img width="6000" height="3855" width_o="6000" height_o="3855" data-src="https://freight.cargo.site/t/original/i/df27273c774a979989171029edbfe2c3c8757b40f1e2b165e03b849fdc38a724/ECM06630.jpg" data-mid="125945899" border="0" src="https://freight.cargo.site/w/1000/i/df27273c774a979989171029edbfe2c3c8757b40f1e2b165e03b849fdc38a724/ECM06630.jpg" /> 2021. Peñazco 2 (MLP 2).&nbsp;Copper sculpture of Pelambres mining of Chile. Size 15x 11 x 6 cms. A copper smelted model sculpture of Minera Los Pelambres or MLP is created in order to raise up the imaginary of &nbsp;the most high rated copper mine in southamerica. <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/c08831cc6973514de4e8d647d5c492f42a6ef8565ded88533ff139dd060fe93e/ECM06211.JPG" data-mid="123995415" border="0" src="https://freight.cargo.site/w/1000/i/c08831cc6973514de4e8d647d5c492f42a6ef8565ded88533ff139dd060fe93e/ECM06211.JPG" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/06835fdef54b5cf9291434c25ed245e1b937185244c11f7d63ea004ea2d16560/ECM06488.JPG" data-mid="123995409" border="0" src="https://freight.cargo.site/w/1000/i/06835fdef54b5cf9291434c25ed245e1b937185244c11f7d63ea004ea2d16560/ECM06488.JPG" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/b33ac4886785b3f471596c8095fe26bdd2ef89db5ba87082430adfaeca2878af/ECM06212.JPG" data-mid="116346093" border="0" src="https://freight.cargo.site/w/1000/i/b33ac4886785b3f471596c8095fe26bdd2ef89db5ba87082430adfaeca2878af/ECM06212.JPG" /> 2021. Peñazco 3 (MLP 3).&nbsp;Copper sculpture of Pelambres mining of Chile. Size 17x 14 x 10 cms. A copper smelted model sculpture of Minera Los Pelambres or MLP is created in order to raise up the imaginary of &nbsp;the most high rated copper mine in southamerica. <img width="2248" height="1292" width_o="2248" height_o="1292" data-src="https://freight.cargo.site/t/original/i/2db169e8ce249f40253765298865a3612d6b88dfc0b19db354826e1dc4df9258/ECM06241.JPG" data-mid="116348664" border="0" src="https://freight.cargo.site/w/1000/i/2db169e8ce249f40253765298865a3612d6b88dfc0b19db354826e1dc4df9258/ECM06241.JPG" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/5fffe5a780367ff2b88c25c0de948bac1a4699807288f658dd10537ba9663e73/ECM06254-CC.jpg" data-mid="116345873" border="0" src="https://freight.cargo.site/w/1000/i/5fffe5a780367ff2b88c25c0de948bac1a4699807288f658dd10537ba9663e73/ECM06254-CC.jpg" /> <img width="2571" height="1714" width_o="2571" height_o="1714" data-src="https://freight.cargo.site/t/original/i/b3f79e31b70f20772b0790e7a324ce6ebcc1b28d840e40e02fafc1edfe72139e/ECM06407.JPG" data-mid="116348663" border="0" src="https://freight.cargo.site/w/1000/i/b3f79e31b70f20772b0790e7a324ce6ebcc1b28d840e40e02fafc1edfe72139e/ECM06407.JPG" /> <img width="3890" height="2688" width_o="3890" height_o="2688" data-src="https://freight.cargo.site/t/original/i/72a52bc8ab1a4adfa939ddcea4316bf868ea96329258ccd63e1306bf6d767337/ECM06246-CC.jpg" data-mid="116347514" border="0" src="https://freight.cargo.site/w/1000/i/72a52bc8ab1a4adfa939ddcea4316bf868ea96329258ccd63e1306bf6d767337/ECM06246-CC.jpg" /> <img width="5805" height="4000" width_o="5805" height_o="4000" data-src="https://freight.cargo.site/t/original/i/ceaa68f609abcecdd6a13fd132ad600007f37d42e373e46f4dc60bde7afad6f1/ECM06261_copia.jpg" data-mid="116345872" border="0" src="https://freight.cargo.site/w/1000/i/ceaa68f609abcecdd6a13fd132ad600007f37d42e373e46f4dc60bde7afad6f1/ECM06261_copia.jpg" /> 2021. ECOSYSTEM ​(Critical zone). Steel, imanes and electroplating copper texts of public and private institutional organizations. Size 70 x 40 cms. Conceptual map that exposes the private interests of Los pelambres mining company and its links with the state apparatus, from the archaeological conflict of El Mauro, expanded to social, economic, environmental and patrimonial stages. <img width="4631" height="1296" width_o="4631" height_o="1296" data-src="https://freight.cargo.site/t/original/i/377b797754bbedbae1c74641bb0730589db52903ed23325241b56e0798179c0f/cerro_web.jpg" data-mid="82305476" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/377b797754bbedbae1c74641bb0730589db52903ed23325241b56e0798179c0f/cerro_web.jpg" /> <img width="1639" height="998" width_o="1639" height_o="998" data-src="https://freight.cargo.site/t/original/i/b8efe955bacf38bbbbe11fb77e93205d20c0422c1b3f0e0df663dfbe621a1e5d/cerrorelave02detalle_web.jpg" data-mid="82305517" border="0" data-scale="49" src="https://freight.cargo.site/w/1000/i/b8efe955bacf38bbbbe11fb77e93205d20c0422c1b3f0e0df663dfbe621a1e5d/cerrorelave02detalle_web.jpg" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/af22813fe2705507d5d9296158051ed467b2f3fe535a478b62d328cf04c86145/ECM03991.JPG" data-mid="82271675" border="0" data-scale="45" src="https://freight.cargo.site/w/1000/i/af22813fe2705507d5d9296158051ed467b2f3fe535a478b62d328cf04c86145/ECM03991.JPG" /> 2023.&nbsp; Fosil Future ( Staggered hill). Photomerge of five images printed on paper Metallic paper 360g Hannemulle .&nbsp; Size 235 x 65 cms. Serie of 3 copies. Photograph that records the artificial hill created by industrial mining for decantation of copper sulfates in the north of Chile, whose wide dimensions redefine the natural environment of the pampa in the Atacama desert. <img width="4724" height="2762" width_o="4724" height_o="2762" data-src="https://freight.cargo.site/t/original/i/6d8231bedc2919deab13c42d4ef875260d0e8d7f06887e1fba31b7492e9da4b4/2_2.jpg" data-mid="90980417" border="0" data-scale="97" src="https://freight.cargo.site/w/1000/i/6d8231bedc2919deab13c42d4ef875260d0e8d7f06887e1fba31b7492e9da4b4/2_2.jpg" /> <img width="3031" height="4134" width_o="3031" height_o="4134" data-src="https://freight.cargo.site/t/original/i/8d6a136c9303a6ae8c7298486d36d075104f43c90c975ef9e8c688d884865a60/9_1.jpg" data-mid="90981296" border="0" src="https://freight.cargo.site/w/1000/i/8d6a136c9303a6ae8c7298486d36d075104f43c90c975ef9e8c688d884865a60/9_1.jpg" /> <img width="4419" height="2738" width_o="4419" height_o="2738" data-src="https://freight.cargo.site/t/original/i/cfe67bfc4098986bb4823abea5fadf4a9c0acafb7dc4783dea1efc57035d5a37/_ECM3192_2.jpg" data-mid="90981209" border="0" src="https://freight.cargo.site/w/1000/i/cfe67bfc4098986bb4823abea5fadf4a9c0acafb7dc4783dea1efc57035d5a37/_ECM3192_2.jpg" /> <img width="517" height="997" width_o="517" height_o="997" data-src="https://freight.cargo.site/t/original/i/85d909b2373ac6c656e8336776698f5a94013622626153166b0e228ec424c688/archivo.png" data-mid="91685463" border="0" src="https://freight.cargo.site/w/517/i/85d909b2373ac6c656e8336776698f5a94013622626153166b0e228ec424c688/archivo.png" /> <img width="383" height="246" width_o="383" height_o="246" data-src="https://freight.cargo.site/t/original/i/8717a6bcc1d4d7a3ed58bd4e5bbc856035924965fcd0cfb920a7fbb50ab2f549/archivo_detalle.jpg" data-mid="91685708" border="0" src="https://freight.cargo.site/w/383/i/8717a6bcc1d4d7a3ed58bd4e5bbc856035924965fcd0cfb920a7fbb50ab2f549/archivo_detalle.jpg" /> 2019. TRANSFERENCES -conical concentrates- .Video color 4k which registrate stories by Jose Ulloa Perez about growing up in the Caletones company town&nbsp; (Sewell, El Teniente Mineral the largest subterrain mine in the world).&nbsp; Join to his son, Jose Ulloa Acosta , they builts a serie of sculptures in wire copper from a historical file of industrial&nbsp; copper extraction base in Chile (1927). <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/c61fd3e520fe87c6bae96a940224cec19e0615d0a7aa25da0fefaa59ccce9031/_ECM3867.JPG" data-mid="82465835" border="0" src="https://freight.cargo.site/w/1000/i/c61fd3e520fe87c6bae96a940224cec19e0615d0a7aa25da0fefaa59ccce9031/_ECM3867.JPG" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/30621741f92639ce438aff977f8d77aeb83daa2ac97207f06c21e0c15dc87361/ECM03984-copia.jpg" data-mid="82464915" border="0" src="https://freight.cargo.site/w/1000/i/30621741f92639ce438aff977f8d77aeb83daa2ac97207f06c21e0c15dc87361/ECM03984-copia.jpg" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/e326aa573b25e0fc6b89a6b768c73197c56c1aec4aab8d8e99c4838ed67dfd8a/_ECM3870.JPG" data-mid="82465655" border="0" src="https://freight.cargo.site/w/1000/i/e326aa573b25e0fc6b89a6b768c73197c56c1aec4aab8d8e99c4838ed67dfd8a/_ECM3870.JPG" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/97590d2e18b998505e1f63441d6ab92251e8a40dd3053b89b87087951edd8206/_ECM3879.JPG" data-mid="82506367" border="0" src="https://freight.cargo.site/w/1000/i/97590d2e18b998505e1f63441d6ab92251e8a40dd3053b89b87087951edd8206/_ECM3879.JPG" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/4458009dd5370157b712867d849029a6e7045e0b31ab1e7b4340a63747ad126c/ECM03915-copia.jpg" data-mid="82465874" border="0" src="https://freight.cargo.site/w/1000/i/4458009dd5370157b712867d849029a6e7045e0b31ab1e7b4340a63747ad126c/ECM03915-copia.jpg" /> E.T&nbsp; serie I, II (2019) Cooper metal;photgraphy and&nbsp; files document of ancient art and architecture. <img width="2624" height="3936" width_o="2624" height_o="3936" data-src="https://freight.cargo.site/t/original/i/32077a4065e9ed3e9e62a4025abb8a51248a84cc8db0c9a5ff9416cca9aa353b/fg2.jpg" data-mid="82269956" border="0" src="https://freight.cargo.site/w/1000/i/32077a4065e9ed3e9e62a4025abb8a51248a84cc8db0c9a5ff9416cca9aa353b/fg2.jpg" /> <img width="3840" height="5760" width_o="3840" height_o="5760" data-src="https://freight.cargo.site/t/original/i/1fd0c062a420953cd357469213e0c5500ad999dac1ca52c012d4f47b42a55ebe/fg04.jpg" data-mid="82249385" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/1fd0c062a420953cd357469213e0c5500ad999dac1ca52c012d4f47b42a55ebe/fg04.jpg" /> <img width="2480" height="3508" width_o="2480" height_o="3508" data-src="https://freight.cargo.site/t/original/i/39d1e53825e87da8b35d7bb8fa9d17f2085e64c98ec74bd5a022c05065b8abd4/2_1.jpg" data-mid="82249393" border="0" src="https://freight.cargo.site/w/1000/i/39d1e53825e87da8b35d7bb8fa9d17f2085e64c98ec74bd5a022c05065b8abd4/2_1.jpg" /> <img width="2480" height="3508" width_o="2480" height_o="3508" data-src="https://freight.cargo.site/t/original/i/df84ec724f61688c45c4da44c4ef8c7884158d156f1734929c3fc01d53235d1a/3.jpg" data-mid="82249390" border="0" src="https://freight.cargo.site/w/1000/i/df84ec724f61688c45c4da44c4ef8c7884158d156f1734929c3fc01d53235d1a/3.jpg" /> Fórmula G (2018) Copper Galvanoplastic, NB Butilo, steel wire; File document&nbsp; (COYA DIBAM Library, Machalí, Chile). Size 70 x0 x 1 cm. (private collection) <img width="3813" height="2573" width_o="3813" height_o="2573" data-src="https://freight.cargo.site/t/original/i/2cbc3d899e50fb5dcf0d02d2bc14e1a7b355ddf04919dd814d728316e6a071ef/MT01.jpg" data-mid="82230849" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/2cbc3d899e50fb5dcf0d02d2bc14e1a7b355ddf04919dd814d728316e6a071ef/MT01.jpg" /> <img width="3591" height="2468" width_o="3591" height_o="2468" data-src="https://freight.cargo.site/t/original/i/cbc9f915cb247ae9bb82777c527fd65efb8cb7fef35e4cf4f579b674b45830d7/mt_det05.jpg" data-mid="82230844" border="0" src="https://freight.cargo.site/w/1000/i/cbc9f915cb247ae9bb82777c527fd65efb8cb7fef35e4cf4f579b674b45830d7/mt_det05.jpg" /> <img width="5410" height="3273" width_o="5410" height_o="3273" data-src="https://freight.cargo.site/t/original/i/433a23959a374446141b83959bd64c19d9b1cd66b8e1cacfc777acdc2af325e3/mt03.jpg" data-mid="82230848" border="0" src="https://freight.cargo.site/w/1000/i/433a23959a374446141b83959bd64c19d9b1cd66b8e1cacfc777acdc2af325e3/mt03.jpg" /> <img width="3936" height="2624" width_o="3936" height_o="2624" data-src="https://freight.cargo.site/t/original/i/bf4b380a065ddfa8015cdcc1374b096857353f6ae1179abd7366dbc22b486c3f/ct_det_02.jpg" data-mid="82230845" border="0" src="https://freight.cargo.site/w/1000/i/bf4b380a065ddfa8015cdcc1374b096857353f6ae1179abd7366dbc22b486c3f/ct_det_02.jpg" /> <img width="3936" height="2624" width_o="3936" height_o="2624" data-src="https://freight.cargo.site/t/original/i/b6bb6cb667789d98d8fe47bc9eb047658efc84e2514fae07d8310c7fc7abd177/ct_det01.jpg" data-mid="82230846" border="0" src="https://freight.cargo.site/w/1000/i/b6bb6cb667789d98d8fe47bc9eb047658efc84e2514fae07d8310c7fc7abd177/ct_det01.jpg" /> 2018. MELTED TOWNS. Series of four objects made of NB Butyl&nbsp; (Rubber); and polished copper tubular structure. Size 450 x 130x 45 cm. This work is shown as a series of pieces hanging from a structure of tubular copper profiles, on it a serie of bidimensional works made in black butyl rubber which is used to protect the earth from seepage of chemical waste produced in large-scale mining. The cut-out urban grids shown the density of housing in the company towns of Sewell, Chuquicamata, María Elena and Pedro de Valdivia. The gravity deforms the material and deconfigured the grid establishing an analogy with the loss of memory of these sites. <img width="3936" height="2536" width_o="3936" height_o="2536" data-src="https://freight.cargo.site/t/original/i/44b6612bfe59d2932f7e023249f7c23a76ee3cb28ccaa1ddb0bdaae1b53b4f26/ea_detalle2.jpg" data-mid="82306833" border="0" src="https://freight.cargo.site/w/1000/i/44b6612bfe59d2932f7e023249f7c23a76ee3cb28ccaa1ddb0bdaae1b53b4f26/ea_detalle2.jpg" /> <img width="4962" height="3287" width_o="4962" height_o="3287" data-src="https://freight.cargo.site/t/original/i/d2f9dfc20768f5291ef7fba828f4543db1db96f4588df1143af53b04a65b3f99/especiesaliens3.jpg" data-mid="82230668" border="0" src="https://freight.cargo.site/w/1000/i/d2f9dfc20768f5291ef7fba828f4543db1db96f4588df1143af53b04a65b3f99/especiesaliens3.jpg" /> <img width="1350" height="936" width_o="1350" height_o="936" data-src="https://freight.cargo.site/t/original/i/77be80e7d111f97c1167250125e2410378ea3fcd1629a430217ba8ac9c37c0c1/ea_detalle.jpg" data-mid="82306834" border="0" src="https://freight.cargo.site/w/1000/i/77be80e7d111f97c1167250125e2410378ea3fcd1629a430217ba8ac9c37c0c1/ea_detalle.jpg" /> <img width="5760" height="3714" width_o="5760" height_o="3714" data-src="https://freight.cargo.site/t/original/i/392240085866c90973879957dfce2157f2850caef1903f8bafdfb0f7e61858df/especiesaliencartas.jpg" data-mid="82249355" border="0" src="https://freight.cargo.site/w/1000/i/392240085866c90973879957dfce2157f2850caef1903f8bafdfb0f7e61858df/especiesaliencartas.jpg" /> <img width="2612" height="1655" width_o="2612" height_o="1655" data-src="https://freight.cargo.site/t/original/i/0dceccb9047332874f54bb2a7a43e822cb205f31acb8d95c1185a7018b63210f/carta_detalle2.jpg" data-mid="82307481" border="0" src="https://freight.cargo.site/w/1000/i/0dceccb9047332874f54bb2a7a43e822cb205f31acb8d95c1185a7018b63210f/carta_detalle2.jpg" /> <img width="2604" height="1706" width_o="2604" height_o="1706" data-src="https://freight.cargo.site/t/original/i/f84454287aa68d799d92f5c2a0e921d48a8fba22ad910be319c262fe9e425d0b/carta_detalle1.jpg" data-mid="82307482" border="0" src="https://freight.cargo.site/w/1000/i/f84454287aa68d799d92f5c2a0e921d48a8fba22ad910be319c262fe9e425d0b/carta_detalle1.jpg" /> 2018. SPECIES ALIEN.&nbsp;Portrait of Harry F. Guggenheim and Salomón R. Guggenheim. Resin, fiberglass and processed nitrate, sequoia pine tree and soil with leaves; Harry Guggenheim Letter to chilean president Carlos Ibañez del Campo 1953. Sizes 3,5 x 0.60x 0.60 mts.(public collection of Gabriela Mistral gallery) <img width="2200" height="3544" width_o="2200" height_o="3544" data-src="https://freight.cargo.site/t/original/i/30a8e4004439ff89ad0d5dbd985bdd2fad0e9f4888f884e88896e96e3d41ea19/MOVIL04.jpg" data-mid="82249720" border="0" data-scale="49" src="https://freight.cargo.site/w/1000/i/30a8e4004439ff89ad0d5dbd985bdd2fad0e9f4888f884e88896e96e3d41ea19/MOVIL04.jpg" /> <img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/66f273a470473608d5e1b67518b1f26430049478049e438e0e5044cf391dc811/_V7A0039.jpg" data-mid="82249721" border="0" src="https://freight.cargo.site/w/1000/i/66f273a470473608d5e1b67518b1f26430049478049e438e0e5044cf391dc811/_V7A0039.jpg" /> <img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/2332e9323e6489235c08b1e4bfa9159bf2ca1206a6a30a43c4d29caa498922b4/movil_det.jpg" data-mid="82249722" border="0" src="https://freight.cargo.site/w/1000/i/2332e9323e6489235c08b1e4bfa9159bf2ca1206a6a30a43c4d29caa498922b4/movil_det.jpg" /> <img width="3936" height="2624" width_o="3936" height_o="2624" data-src="https://freight.cargo.site/t/original/i/9d88e01c275e3abba8ae56cbabdb460a8bc7924f2ca1355560a01c72a6969da9/_ECM2480.JPG" data-mid="82249723" border="0" src="https://freight.cargo.site/w/1000/i/9d88e01c275e3abba8ae56cbabdb460a8bc7924f2ca1355560a01c72a6969da9/_ECM2480.JPG" /> 2019. ARCHEOLOGICAL PROSPECTING. Copper plates cutting on CNC láser (2mm), copper wire, copper pipe. Size 3 x 1,5 mts. 2018 Movil&nbsp; made from archaeological objects from archive and museums found in mining sites of Chuquicamata, El Teniente, María Elena and Pedro de Valdivia. The most important deposits of copper and nitrates in Chile. <img width="6613" height="3728" width_o="6613" height_o="3728" data-src="https://freight.cargo.site/t/original/i/713ae469f78235395ebd4e9007d9b1a9b90e1896616cf0544ed77ff3274fcec4/thegserie1.jpg" data-mid="82226037" border="0" data-scale="99" src="https://freight.cargo.site/w/1000/i/713ae469f78235395ebd4e9007d9b1a9b90e1896616cf0544ed77ff3274fcec4/thegserie1.jpg" /> <img width="4134" height="1635" width_o="4134" height_o="1635" data-src="https://freight.cargo.site/t/original/i/18f931d1aea8e709152405dd7f52ff7ab8e44156941896694024ba11fee9adf3/chugchugcopy-copy.png" data-mid="82413717" border="0" src="https://freight.cargo.site/w/1000/i/18f931d1aea8e709152405dd7f52ff7ab8e44156941896694024ba11fee9adf3/chugchugcopy-copy.png" /> <img width="850" height="582" width_o="850" height_o="582" data-src="https://freight.cargo.site/t/original/i/c04a5f9144aed3aa85fe6d868bf7ad6fc0fd43bb5c9cc5c54a37e5eb9a083810/gu_0457x39cm.jpg" data-mid="82225573" border="0" data-scale="75" src="https://freight.cargo.site/w/850/i/c04a5f9144aed3aa85fe6d868bf7ad6fc0fd43bb5c9cc5c54a37e5eb9a083810/gu_0457x39cm.jpg" /> <img width="1575" height="2302" width_o="1575" height_o="2302" data-src="https://freight.cargo.site/t/original/i/4adf6153137aa233c31a94f0451a7301fb5129b4817809a63c8568ca06110380/gu_0939x57cm.jpg" data-mid="82226036" border="0" data-scale="34" src="https://freight.cargo.site/w/1000/i/4adf6153137aa233c31a94f0451a7301fb5129b4817809a63c8568ca06110380/gu_0939x57cm.jpg" /> <img width="5798" height="4349" width_o="5798" height_o="4349" data-src="https://freight.cargo.site/t/original/i/98309408d55eb9649b155f97995f8a0e0c6c65e87fe7419ea1ee7838fa182a63/GU_255x81cm.jpg" data-mid="82225572" border="0" data-scale="68" src="https://freight.cargo.site/w/1000/i/98309408d55eb9649b155f97995f8a0e0c6c65e87fe7419ea1ee7838fa182a63/GU_255x81cm.jpg" /> 2018. THE GUGGENHEIM WERE HERE .&nbsp;Chug-Chug, Geogliph intervention near to Chuquicamata Mine. II Región, Chile. Pangal,&nbsp; aqueduct building in 1917 for Braden Cooper Co for Teniente Mine. VI Región, Chile. María Elena, intervention in structure industry of nitrate. II Región, Chile. Lasana, intervention on rocks in ancient fortress pucará de Lasana. II Región, Chile. Photografhy serie between conflict patrimonial areas with mining industry on nitrate and cooper linked with historical Guggenheim brothers company in Chile. Ink on Hahnemühle&nbsp; paper photografhy. Size&nbsp; <img width="4684" height="3124" width_o="4684" height_o="3124" data-src="https://freight.cargo.site/t/original/i/21d4ac5fdad104b1d6a1c83d33a7b5b58509f216bf5cd09583543491199bb672/02.jpg" data-mid="81615291" border="0" src="https://freight.cargo.site/w/1000/i/21d4ac5fdad104b1d6a1c83d33a7b5b58509f216bf5cd09583543491199bb672/02.jpg" /> <img width="5631" height="3661" width_o="5631" height_o="3661" data-src="https://freight.cargo.site/t/original/i/7f3b75b8ef0106011958df1a859254841b03e6dbaca31611ffe6b796d988aa4f/sala1.jpg" data-mid="81615290" border="0" src="https://freight.cargo.site/w/1000/i/7f3b75b8ef0106011958df1a859254841b03e6dbaca31611ffe6b796d988aa4f/sala1.jpg" /> <img width="2362" height="1575" width_o="2362" height_o="1575" data-src="https://freight.cargo.site/t/original/i/77519354960e8fa8098e7e5b98370853ffbd3ee08f12a9df63e48ebf28ae2cdf/EFR03.jpg" data-mid="81615264" border="0" src="https://freight.cargo.site/w/1000/i/77519354960e8fa8098e7e5b98370853ffbd3ee08f12a9df63e48ebf28ae2cdf/EFR03.jpg" /> 2017. SPECULAR&nbsp; -Big Mirror-&nbsp; .&nbsp;450 mirror-polished coper plates (2mm), and black rubber support. Dimensions 4,5 x 5,3 mts. Floor sculpture thats is builded 450 copper pulished plates with the size of a brick, those are distributed on the floor producing an irregular geometric shape that articulates as a reflective surface. Specular is created from a street register (mapping a ruins), from the artistic intervention on public space Invertir la Pirámide. This work is a milestone for memory that Raw material project is about it. RAW MATERIAL Project. FONDART (R) 2017 (public collection Gabriela Mistral gallery)) <img width="2136" height="2819" width_o="2136" height_o="2819" data-src="https://freight.cargo.site/t/original/i/2f6be4590215d87e8d5e08fe2ddda50b17a0199ba2a6ff4d22717fc7ec7a7264/cartografiadeunaruina_box.jpg" data-mid="82310452" border="0" data-scale="70" src="https://freight.cargo.site/w/1000/i/2f6be4590215d87e8d5e08fe2ddda50b17a0199ba2a6ff4d22717fc7ec7a7264/cartografiadeunaruina_box.jpg" /> <img width="1946" height="2647" width_o="1946" height_o="2647" data-src="https://freight.cargo.site/t/original/i/5c6be8fbc694a98491eb8f79ca37194b79d5c337b1cc81158e1218ae9759f57d/Cartografia-de-una-ruina-Pixelada-copia.jpg" data-mid="82252416" border="0" data-scale="67" src="https://freight.cargo.site/w/1000/i/5c6be8fbc694a98491eb8f79ca37194b79d5c337b1cc81158e1218ae9759f57d/Cartografia-de-una-ruina-Pixelada-copia.jpg" /> 2017. Mapping a Ruin.&nbsp;Metacrilat box and&nbsp; photofraphy Ink on cotton paper 260 g. Size 65 x 50 cm. <img width="3543" height="2231" width_o="3543" height_o="2231" data-src="https://freight.cargo.site/t/original/i/63e3354145f1f7ff6f580151efc8248757ec97753351cacf9ebca0b643841ec6/efectosresiduales2.png" data-mid="81615546" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/63e3354145f1f7ff6f580151efc8248757ec97753351cacf9ebca0b643841ec6/efectosresiduales2.png" /> <img width="1481" height="2136" width_o="1481" height_o="2136" data-src="https://freight.cargo.site/t/original/i/0bb5c344cb841b9b55c003ea367fb821fd41c623044f774d41f5975123fa064b/_DSC0142.JPG" data-mid="82526761" border="0" data-scale="48" src="https://freight.cargo.site/w/1000/i/0bb5c344cb841b9b55c003ea367fb821fd41c623044f774d41f5975123fa064b/_DSC0142.JPG" /> <img width="3216" height="2136" width_o="3216" height_o="2136" data-src="https://freight.cargo.site/t/original/i/241c07871072bd65e4cafecd9b2aaf6c3fe040225347e2a0c964683e8f79061a/_DSC0104.JPG" data-mid="82526126" border="0" src="https://freight.cargo.site/w/1000/i/241c07871072bd65e4cafecd9b2aaf6c3fe040225347e2a0c964683e8f79061a/_DSC0104.JPG" /> <img width="3144" height="1846" width_o="3144" height_o="1846" data-src="https://freight.cargo.site/t/original/i/48a12b368a595cea63e41e5687e3f7845a7ec19d37e11770bce717a53e06426f/efr01.jpg" data-mid="82527322" border="0" src="https://freight.cargo.site/w/1000/i/48a12b368a595cea63e41e5687e3f7845a7ec19d37e11770bce717a53e06426f/efr01.jpg" /> <img width="1952" height="3216" width_o="1952" height_o="3216" data-src="https://freight.cargo.site/t/original/i/47b6263478467d06e30896ae11e00d140fddc56be35c4dd71f784687cdaa589c/_DSC0123.JPG" data-mid="82252415" border="0" data-scale="45" src="https://freight.cargo.site/w/1000/i/47b6263478467d06e30896ae11e00d140fddc56be35c4dd71f784687cdaa589c/_DSC0123.JPG" /> <img width="3216" height="2136" width_o="3216" height_o="2136" data-src="https://freight.cargo.site/t/original/i/1d131f8ff19b93590b94c48ed86917078d71958cbeea4bdf66041a939efc6f3a/_DSC0103-copy.jpg" data-mid="82255005" border="0" src="https://freight.cargo.site/w/1000/i/1d131f8ff19b93590b94c48ed86917078d71958cbeea4bdf66041a939efc6f3a/_DSC0103-copy.jpg" /> 2014-2017. Residual Effect.&nbsp;Video installation: Left. View of&nbsp; El Teniente, mine and industrial complex. https://www.youtube.com/watch?v=BmQitIV-khU ; Centro. Riverse the Pyramid. &nbsp; https://www.youtube.com/watch?v=bBHY0uBtEAA ; Right. Video report&nbsp; 2 (maternal), Reconstitution. https://www.youtube.com/watch?v=VrTodJQ87SA. <img width="5904" height="4126" width_o="5904" height_o="4126" data-src="https://freight.cargo.site/t/original/i/d5e9828c28377fee3c91d590bce788cc2c79f4c2580c72d5489fec4f5abbe5b2/UEPPI_01-copia.jpg" data-mid="82251900" border="0" src="https://freight.cargo.site/w/1000/i/d5e9828c28377fee3c91d590bce788cc2c79f4c2580c72d5489fec4f5abbe5b2/UEPPI_01-copia.jpg" /> <img width="2362" height="1575" width_o="2362" height_o="1575" data-src="https://freight.cargo.site/t/original/i/1526ae021d293e3ba3f5213708acddf0d7791c003da60f06d57b98d4cc240f8b/vyf.jpg" data-mid="82250319" border="0" data-scale="68" src="https://freight.cargo.site/w/1000/i/1526ae021d293e3ba3f5213708acddf0d7791c003da60f06d57b98d4cc240f8b/vyf.jpg" /> <img width="992" height="1277" width_o="992" height_o="1277" data-src="https://freight.cargo.site/t/original/i/fc0dd6449e9c87fa82c1f7101b8ddd89522463f0b4987ccda865c764899ef934/3.jpg" data-mid="82250320" border="0" data-scale="35" src="https://freight.cargo.site/w/992/i/fc0dd6449e9c87fa82c1f7101b8ddd89522463f0b4987ccda865c764899ef934/3.jpg" /> 2017. UNFINISHED STRUCTURE FOR A NO CONCLUSIVE PROCESS. Copper pipes 1 1/4“ y 3/4”, copper fitting and fixing screw. (Public and national collections of contemporary art Ministry of cultures Chile) https://joseulloacosta.cargo.site/The-power-of-rocks Tue, 02 Nov 2021 19:16:39 +0000 Jose Ulloa Acosta https://joseulloacosta.cargo.site/The-power-of-rocks SELECTED PROJECTS <img width="5630" height="3430" width_o="5630" height_o="3430" data-src="https://freight.cargo.site/t/original/i/243b952867c7664b8274fc9d42d29d05ef52d9cf8170a2551b0853f84a2455aa/ECM06385-RCC.jpg" data-mid="123408968" border="0" src="https://freight.cargo.site/w/1000/i/243b952867c7664b8274fc9d42d29d05ef52d9cf8170a2551b0853f84a2455aa/ECM06385-RCC.jpg" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/03a8a981d5fd9ef3c290c3456b50472c7df2d4fa5e1cefe1fd2945a832af2f67/ECM06291-RCC.jpg" data-mid="123408967" border="0" src="https://freight.cargo.site/w/1000/i/03a8a981d5fd9ef3c290c3456b50472c7df2d4fa5e1cefe1fd2945a832af2f67/ECM06291-RCC.jpg" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/e84c3d29397ed779ea66c92136d532e34ee15013948801955835d15e834b5404/ECM06294-RCC.jpg" data-mid="123408972" border="0" src="https://freight.cargo.site/w/1000/i/e84c3d29397ed779ea66c92136d532e34ee15013948801955835d15e834b5404/ECM06294-RCC.jpg" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/a6030603e0a49b0e98a7a4e0ba800730521fc490acbeb3aab7fe05684f6c9e97/ECM06334.JPG" data-mid="123408973" border="0" src="https://freight.cargo.site/w/1000/i/a6030603e0a49b0e98a7a4e0ba800730521fc490acbeb3aab7fe05684f6c9e97/ECM06334.JPG" /> <img width="2248" height="1292" width_o="2248" height_o="1292" data-src="https://freight.cargo.site/t/original/i/2db169e8ce249f40253765298865a3612d6b88dfc0b19db354826e1dc4df9258/ECM06241.JPG" data-mid="123408970" border="0" src="https://freight.cargo.site/w/1000/i/2db169e8ce249f40253765298865a3612d6b88dfc0b19db354826e1dc4df9258/ECM06241.JPG" /> <img width="2571" height="1714" width_o="2571" height_o="1714" data-src="https://freight.cargo.site/t/original/i/b3f79e31b70f20772b0790e7a324ce6ebcc1b28d840e40e02fafc1edfe72139e/ECM06407.JPG" data-mid="123408971" border="0" src="https://freight.cargo.site/w/1000/i/b3f79e31b70f20772b0790e7a324ce6ebcc1b28d840e40e02fafc1edfe72139e/ECM06407.JPG" /> <img width="3890" height="2688" width_o="3890" height_o="2688" data-src="https://freight.cargo.site/t/original/i/72a52bc8ab1a4adfa939ddcea4316bf868ea96329258ccd63e1306bf6d767337/ECM06246-CC.jpg" data-mid="124218542" border="0" src="https://freight.cargo.site/w/1000/i/72a52bc8ab1a4adfa939ddcea4316bf868ea96329258ccd63e1306bf6d767337/ECM06246-CC.jpg" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/f7880c492c352f8f796c1fcf516faf31e15f222bb3f6977af1fe4a7d727ba6d7/ECM06273.jpg" data-mid="175548540" border="0" src="https://freight.cargo.site/w/1000/i/f7880c492c352f8f796c1fcf516faf31e15f222bb3f6977af1fe4a7d727ba6d7/ECM06273.jpg" /> <img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/c566d2f85aefeb10f3fde5790e1c9ac10054fbe944cd655ae247a2e31a8c7782/ECM06463-RCC.jpg" data-mid="123408969" border="0" src="https://freight.cargo.site/w/1000/i/c566d2f85aefeb10f3fde5790e1c9ac10054fbe944cd655ae247a2e31a8c7782/ECM06463-RCC.jpg" /> <img width="4453" height="2903" width_o="4453" height_o="2903" data-src="https://freight.cargo.site/t/original/i/90f7c11b46bfd331dccf67649bad2fb18dd93ad81971b6c2acb8da1fe0c2cdf6/penazcazo_montaje-CC2.jpg" data-mid="123408975" border="0" 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data-src="https://freight.cargo.site/t/original/i/6e8e6a13169afd66cdbaf3d65e4d89b098bc6902dbcdffb9c603fee4c318cec9/mlp1_1.jpg" data-mid="175548519" border="0" src="https://freight.cargo.site/w/886/i/6e8e6a13169afd66cdbaf3d65e4d89b098bc6902dbcdffb9c603fee4c318cec9/mlp1_1.jpg" /> <img width="1772" height="1234" width_o="1772" height_o="1234" data-src="https://freight.cargo.site/t/original/i/42309fe378e241c7f47d71667392a8c8ed32d0124222c0423875622257bd3322/detalleIntrevencionPtaCHungo.jpg" data-mid="124218544" border="0" src="https://freight.cargo.site/w/1000/i/42309fe378e241c7f47d71667392a8c8ed32d0124222c0423875622257bd3322/detalleIntrevencionPtaCHungo.jpg" /> <img width="1772" height="1147" width_o="1772" height_o="1147" data-src="https://freight.cargo.site/t/original/i/fc583ec89fa6713565d8b8f9fa3949e6b46f823252871f47b1e8eff69ae6ca73/Challa.jpg" data-mid="123408976" border="0" 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Chile. Project that investigates the current influence of the mining industry in the Coquimbo Region. We approached through complaints about the loss&nbsp; of archaeological pieces in the Pupío estuary valley intervened by Minera Los Pelambres, the most biggest copper mine in Chile nowadays. From these observations we generate a series of plastic and audiovisual works that seek to reflect on the transformations, displacements and territorial conflicts that this industry entails at the local level, as well as the interactions between different public and private agents. Video Full HD, We never saw the mine, but we understood it into the landscape. Documentary film of the artistic project El poder de las rocas. Serie Plan F chapter 4. Ministry of culture of Chile. 2021. https://joseulloacosta.cargo.site/osservazioni-improprie Tue, 22 Jul 2025 15:24:23 +0000 Jose Ulloa Acosta https://joseulloacosta.cargo.site/osservazioni-improprie SELECTED PROJECTS <img width="1280" height="854" width_o="1280" height_o="854" data-src="https://freight.cargo.site/t/original/i/c62fa03aba9537b7a249cf5c3b62f032b1421076d6e2e583a26a2086753a881e/73AD52AD-B02C-4CE2-A3AA-FDCA4906A5CA.JPG" data-mid="236149129" border="0" data-scale="78" src="https://freight.cargo.site/w/1000/i/c62fa03aba9537b7a249cf5c3b62f032b1421076d6e2e583a26a2086753a881e/73AD52AD-B02C-4CE2-A3AA-FDCA4906A5CA.JPG" /> <img width="7008" height="4672" width_o="7008" height_o="4672" data-src="https://freight.cargo.site/t/original/i/c1d81edc90bc897a472a6a1cbd31cf6eb21a4031f60027f2fb542878c0cf70ae/_DSC4729.JPG" data-mid="236149133" border="0" src="https://freight.cargo.site/w/1000/i/c1d81edc90bc897a472a6a1cbd31cf6eb21a4031f60027f2fb542878c0cf70ae/_DSC4729.JPG" /> <img width="7008" height="4672" width_o="7008" height_o="4672" data-src="https://freight.cargo.site/t/original/i/b1bb490f8a460cc536663dfce0fc07b778dfbb09d4850f232e17f6e437b9019d/_DSC4755.JPG" data-mid="236149173" border="0" src="https://freight.cargo.site/w/1000/i/b1bb490f8a460cc536663dfce0fc07b778dfbb09d4850f232e17f6e437b9019d/_DSC4755.JPG" /> <img width="1616" height="1080" width_o="1616" height_o="1080" data-src="https://freight.cargo.site/t/original/i/d748cfd19f2280f6623e702b313ec9cbb6432f3f64a27d3ea32707f57b256c0b/_DSC4612.JPG" data-mid="240105752" border="0" src="https://freight.cargo.site/w/1000/i/d748cfd19f2280f6623e702b313ec9cbb6432f3f64a27d3ea32707f57b256c0b/_DSC4612.JPG" /> <img width="1616" height="1080" width_o="1616" height_o="1080" data-src="https://freight.cargo.site/t/original/i/7c1a3727efca08cab9637afa362bfa7ee13b21e888ff39694f3df7c1dc3d2b45/_DSC4474.JPG" data-mid="240105750" border="0" src="https://freight.cargo.site/w/1000/i/7c1a3727efca08cab9637afa362bfa7ee13b21e888ff39694f3df7c1dc3d2b45/_DSC4474.JPG" /> <img width="7008" height="4672" width_o="7008" height_o="4672" data-src="https://freight.cargo.site/t/original/i/27a56587440187b41e90e0bc83f596f5d89f3773f08a24e8802d1cacd59f90e8/_DSC4642.JPG" data-mid="236149131" border="0" src="https://freight.cargo.site/w/1000/i/27a56587440187b41e90e0bc83f596f5d89f3773f08a24e8802d1cacd59f90e8/_DSC4642.JPG" /> <img width="7008" height="4672" width_o="7008" height_o="4672" data-src="https://freight.cargo.site/t/original/i/697899045e6abfebe074d398cc6baec5a61d4785f02c0aabe0e669b186855bf2/_DSC4649.jpg" data-mid="236149153" border="0" src="https://freight.cargo.site/w/1000/i/697899045e6abfebe074d398cc6baec5a61d4785f02c0aabe0e669b186855bf2/_DSC4649.jpg" /> <img width="7008" height="4672" width_o="7008" height_o="4672" data-src="https://freight.cargo.site/t/original/i/e7e374cdfe6a05b019331fbc14ce3f137f769de122d31ca8e14a58b15d1d0104/_DSC4680.jpg" data-mid="236149136" border="0" src="https://freight.cargo.site/w/1000/i/e7e374cdfe6a05b019331fbc14ce3f137f769de122d31ca8e14a58b15d1d0104/_DSC4680.jpg" /> <img width="6722" height="4525" width_o="6722" height_o="4525" data-src="https://freight.cargo.site/t/original/i/a00726e60249ed002740abb24171b04c1349dc6110ee018745ad1d9b94c8fcf5/_DSC4768.jpg" data-mid="236149141" border="0" src="https://freight.cargo.site/w/1000/i/a00726e60249ed002740abb24171b04c1349dc6110ee018745ad1d9b94c8fcf5/_DSC4768.jpg" /> <img width="7008" height="4672" width_o="7008" height_o="4672" data-src="https://freight.cargo.site/t/original/i/0fb2f348ad0572b825bcf48e55a1ccb22e7e45453d63eaa0b763068708344ce0/_DSC4752-2.jpg" data-mid="236149137" border="0" src="https://freight.cargo.site/w/1000/i/0fb2f348ad0572b825bcf48e55a1ccb22e7e45453d63eaa0b763068708344ce0/_DSC4752-2.jpg" /> Osservazioni improprie sul lapis tiburtinus, 2024. at Palazzo Orsini di Licenza. RM. Italy. Erosion Mechanics is a project that investigates the relationship between contemporary art and the lithic industry through a series of procedural and visual exercises approached from an interdisciplinary artistic perspective. These exercises will be developed as a fieldwork-based dialogue between the sculptural and documentary heritage of the collection at the Chilean National Museum of Fine Arts (MNBA) and the travertine extraction zone of “delle Acque Albule” in Italy. All of this is framed within a theoretical context that brings together media theory, new materialism, and posthumanism. Curatorial textTime&amp;Stone Claudio Guerrero Urquiza &nbsp; &nbsp; We use clocks, agendas, and calendars; we rest on certain days and work on others; we generally value punctuality; we celebrate anniversaries and elect representatives and rulers for specific terms. We understand and plan our lives, on both small and large scales, according to some idea of time. But things become more confusing when we try to describe time, explain what it is, and how we perceive it. Perhaps geology can offer us some clues to perceive time. Avicenna, a Persian philosopher and scientist who lived a millennium ago, is said to have been the first to formulate what we now call the principle of the superposition of strata. This means that layers of sediment accumulate in the soil over time, with the oldest at the bottom and the newest on top. In this sense, soils and rocks may be the most direct perception of the passage of time, condensed in a matter we can experience with our senses. &nbsp; &nbsp; Lapis tiburtinus or Roman travertine is a sedimentary rock—wrongly referred to in the Americas as “travertine marble,” although it is not exactly marble. It forms through the accumulation of sediments under specific conditions found in the landscape of Guidonia and Tivoli (RM), such as the distinctive features of the Aniene River basin and especially the presence of the Acque Albule. Compaction and high temperatures turned these sediments into rock, but a careful observation reveals that their formation was a process of extremely long duration; chronostratigraphic studies date it to around 100,000 years. We would know far less about travertine if the ancient inhabitants of this region had not discovered its constructive and ornamental properties. In particular, we might not be discussing it today if the Romans had not begun its industrial extraction around two thousand years ago. Some of their most admired and well-known monuments were built with this stone, so its extraction grew alongside the expansion of the empire and the later hegemony of classical architecture and sculpture. These were closely associated with marble and experienced renewed development during the Renaissance (15th and 16th centuries) and Neoclassicism (18th and 19th centuries), when the aesthetic even crossed the Atlantic to settle in the Americas, further increasing demand for these stones. Two millennia of industrial extraction have transformed the Guidonia landscape and stand as early evidence of human activity shaping the world as a geological agent—something that may seem obvious today if we look at the landscapes left by extractivism: from open-pit mines and massive tailings fields to forests razed for monoculture plantations, and even climate change driven by greenhouse gases. Along with the expansion of the classical artistic paradigm, pieces of stone (travertine, Carrara marble) circulated as raw material for sculptors and art academies across the Western world. Sculptures created by Italian artists also adorned buildings and public squares (such as the Plaza de Armas in Santiago, Chile). Simultaneously, sculptors, artisans, and marble merchants traveled from Italy to the Americas, while the journey to Rome became nearly a rite of passage for American artists. Chilean artist Jose Ulloa Acosta’s proposal at the Palazzo Orsini in Licenza may be seen as a new version of this story that links art, stone, Italy, and the Americas. This time, however, stone is not simply a raw material or a means to another end—it is the central focus of an exploration where art and science engage in dialogue. The visual exercises on display result from his research conducted during a residency at L'Aquila Reale Centro d'Arte e Natura in Civitella di Licenza. Over five months, he carried out fieldwork exploring the travertine industry, emphasizing the stone’s extractive, geological, and heritage dimensions. The exhibition connects the archaeological vestiges from the Palazzo Orsini Museum’s collection with the landscapes of the lapis tiburtinus quarries in the Acque Albule area. It integrates multiple languages: scientific and bibliographic documentation, material samples, 3D digital prototyping, 3D animation, and video records of territorial interventions. Through this multidisciplinary assemblage, it invites us to reflect on matter as a vibrant agent (Jane Bennett) and proposes art as a critical tool for rethinking the impact of the present and imagining future projections of the relationship between human beings and material and natural resources. https://joseulloacosta.cargo.site/Extemporanea-the-book Sat, 29 Nov 2025 16:01:11 +0000 Jose Ulloa Acosta https://joseulloacosta.cargo.site/Extemporanea-the-book SELECTED PROJECTS <img width="4000" height="3000" width_o="4000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/8716b023b083723b42d7effedfc77789195eebae7be3e77da2f78e8ef6eac67c/Mockup-Portada-02.jpg" data-mid="241214252" border="0" data-scale="81" src="https://freight.cargo.site/w/1000/i/8716b023b083723b42d7effedfc77789195eebae7be3e77da2f78e8ef6eac67c/Mockup-Portada-02.jpg" /> <img width="4000" height="3000" width_o="4000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/5060fdb574646ca57c6511bd410b8b0a496a75a7ae936959b6b0e61ecd147744/p2.png" data-mid="241236700" border="0" src="https://freight.cargo.site/w/1000/i/5060fdb574646ca57c6511bd410b8b0a496a75a7ae936959b6b0e61ecd147744/p2.png" /> <img width="4000" height="3000" width_o="4000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/b2ca69894a166913a9be53ce45e18c60265a838fc5e4e47647d82516cf6c8eac/Mock-up-Foto-02.png" data-mid="241214225" border="0" src="https://freight.cargo.site/w/1000/i/b2ca69894a166913a9be53ce45e18c60265a838fc5e4e47647d82516cf6c8eac/Mock-up-Foto-02.png" /> <img width="4000" height="3000" width_o="4000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/488757ffad7f36549bba9bd4d3b27c841e02e8a119a85a0afcd058e086c1ab40/Mock-up-Piedra-y-tiempo-01.png" data-mid="241214249" border="0" src="https://freight.cargo.site/w/1000/i/488757ffad7f36549bba9bd4d3b27c841e02e8a119a85a0afcd058e086c1ab40/Mock-up-Piedra-y-tiempo-01.png" /> <img width="4000" height="3000" width_o="4000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/f44845b6338bbe987e1c5e8705f3923056f481868d98a2ba54ebe43a16c5c0c0/diagrama.png" data-mid="241236699" border="0" src="https://freight.cargo.site/w/1000/i/f44845b6338bbe987e1c5e8705f3923056f481868d98a2ba54ebe43a16c5c0c0/diagrama.png" /> <img width="4000" height="3000" width_o="4000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/87dd0a76224ccf9f5fa084d76584218d48c6a2f8fd8f72b59b2e01196e3917c3/Mock-up-Piedra-y-tiempo-09.png" data-mid="241214251" border="0" src="https://freight.cargo.site/w/1000/i/87dd0a76224ccf9f5fa084d76584218d48c6a2f8fd8f72b59b2e01196e3917c3/Mock-up-Piedra-y-tiempo-09.png" /> <img width="4000" height="3000" width_o="4000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/72e3638ab42684ac2a0204d84328cce502ab2f1e3525b10dafb7c7931e152ecd/color1.png" data-mid="241236698" border="0" src="https://freight.cargo.site/w/1000/i/72e3638ab42684ac2a0204d84328cce502ab2f1e3525b10dafb7c7931e152ecd/color1.png" /> <img width="4000" height="3000" width_o="4000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/d3af56529b37be9db5cde0b1e165392493d242afdb4953311273420e69c1f50a/Color-08.png" data-mid="241214187" border="0" src="https://freight.cargo.site/w/1000/i/d3af56529b37be9db5cde0b1e165392493d242afdb4953311273420e69c1f50a/Color-08.png" /> <img width="4000" height="3000" width_o="4000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/c8e63ad0c2e6ad93d461a3fbb9eb50391a93f5e06fc8aabffa353b35b2f1a9c7/Color-06.png" data-mid="241214186" border="0" src="https://freight.cargo.site/w/1000/i/c8e63ad0c2e6ad93d461a3fbb9eb50391a93f5e06fc8aabffa353b35b2f1a9c7/Color-06.png" /> <img width="4000" height="3000" width_o="4000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/ac7c27ab53288bea4861eadf9de9e1a701b5163c7ea8bcf0e72a32fdedf10000/Color-05.png" data-mid="241214185" border="0" src="https://freight.cargo.site/w/1000/i/ac7c27ab53288bea4861eadf9de9e1a701b5163c7ea8bcf0e72a32fdedf10000/Color-05.png" /> <img width="4000" height="3000" width_o="4000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/87f8e9c67588ee0cafc8f32b7677ce41e456bd10c381add0f6d145d015387ce2/Color-10.png" data-mid="241214188" border="0" src="https://freight.cargo.site/w/1000/i/87f8e9c67588ee0cafc8f32b7677ce41e456bd10c381add0f6d145d015387ce2/Color-10.png" /> <img width="4000" height="3000" width_o="4000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/9050274172a32425ee7e79a56288aa5089c90ce5481068a5fc45ecb6cb0b0818/Mock-up-Piedra-y-tiempo-06.png" data-mid="241214250" border="0" src="https://freight.cargo.site/w/1000/i/9050274172a32425ee7e79a56288aa5089c90ce5481068a5fc45ecb6cb0b0818/Mock-up-Piedra-y-tiempo-06.png" /> Extemporanea artist book 2025. Italy-Chile. As part of the Erosion Mechanics project, which investigates the relationship between contemporary art and the lithic industry through a series of procedural and visual exercises, these explorations are developed through fieldwork-based dialogue between the sculptural and documentary heritage of the Chilean National Museum of Fine Arts (MNBA) and the travertine extraction zone of delle Acque Albule in Italy. All of this is framed within a theoretical context that brings together media theory, new materialism, and posthumanism. About the artist’s book Extemporanea is an expanded essay that explores material and symbolic transfers between the territories of Italy and Chile, linking the quarries of Guidonia with the sculptural collection of the National Museum of Fine Arts. Conceived by artist Jose Ulloa Acosta from his situated experience in the stone quarries—through fieldwork, photographic, audiovisual, and graphic documentation, as well as an in-situ artistic intervention—the publication enters into dialogue with texts by curator Claudio Guerrero Urquiza, and is articulated around the figure of Galvarino, a Mapuche warrior who confronted the conquistadors in the sixteenth century and was later represented in marble at the end of the nineteenth century by sculptor José Miguel Blanco. The book presents multiple modes of writing—historical, curatorial, poetic, fictional, essayistic, and theoretical—organized according to the stratigraphic logic of geology. These writings are accompanied by a hybridization of materials, records, formats, and supports: fragments of real and fictional quotations coexist with geographical coordinates, diagrams, photographs, and historical references, alongside copies produced with contemporary technologies. All these layers operate in superposition, evoking matter in its constant plurality and transformation. https://joseulloacosta.cargo.site/Proxy-video Tue, 03 Feb 2026 12:44:15 +0000 Jose Ulloa Acosta https://joseulloacosta.cargo.site/Proxy-video SELECTED PROJECTS 2025-24. PROXY. 2K full-color video documentation with stereo audio. Screened in the José Miguel Blanco Gallery, Museo Nacional Bellas Artes. Chile. Artistic intervention in the stone quarries of Guidonia, Lazio (Italy), using a fragment replicated through 3D printing (PLA biopolymer) from the sculpture Galvarino by José Miguel Blanco (1873, Collection of the National Museum of Fine Arts of Chile), a work produced by Blanco during his stay in Rome. PROXY documents an artistic intervention in two stone quarries in Guidonia, Italy: one active and the other abandoned, undergoing vegetal regeneration within a post-industrial landscape. The work deploys a sculptural fragment replicated through 3D printing (PLA biopolymer) from the sculpture Galvarino by José Miguel Blanco, activating it as a proxy body that articulates a relationship and transfer between sculptural heritage, geological violence, and territory. The mutilation of the Mapuche warrior’s body and the fragmentation of the quarry’s geological body are read as homologous forms of violence, produced through colonial and extractivist logics. In this gesture, the colonial monument is detached from its representational function and reconfigured as a material trace of territorial mutilation, where extraction and vegetal regeneration coexist as asymmetrical temporalities, without erasing the persistent mark of human intervention. -------------- As part of the Erosion Mechanics project, which investigates the relationship between contemporary art and the lithic industry through a series of procedural and visual exercises, these explorations are developed through fieldwork-based dialogue between the sculptural and documentary heritage of the Chilean National Museum of Fine Arts (MNBA) and the travertine extraction zone of delle Acque Albule in Italy. All of this is framed within a theoretical context that brings together media theory, new materialism, and posthumanism. https://joseulloacosta.cargo.site/Remote-Project Thu, 16 Dec 2021 12:08:16 +0000 Jose Ulloa Acosta https://joseulloacosta.cargo.site/Remote-Project SELECTED PROJECTS <img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/23e2adfbd1342b8a59bdf2eeb9fab380fd0ddf7a1d9ca5f027140c2727a3983c/1X4A3655.jpg" data-mid="175080876" border="0" src="https://freight.cargo.site/w/1000/i/23e2adfbd1342b8a59bdf2eeb9fab380fd0ddf7a1d9ca5f027140c2727a3983c/1X4A3655.jpg" /> <img width="2844" height="1896" width_o="2844" height_o="1896" data-src="https://freight.cargo.site/t/original/i/b3cfdfea73a343ce32cc724dde59fbf0ba15defb9a18d0595aa93b9fc60a7e20/whitelandas_1.jpg" data-mid="151565708" border="0" src="https://freight.cargo.site/w/1000/i/b3cfdfea73a343ce32cc724dde59fbf0ba15defb9a18d0595aa93b9fc60a7e20/whitelandas_1.jpg" /> <img 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data-src="https://freight.cargo.site/t/original/i/033db7f8b1fad666ce897007fd4b716c6bb0452bc994c6f2b062d81219a44d42/IMG_8804.JPG" data-mid="155837092" border="0" src="https://freight.cargo.site/w/1000/i/033db7f8b1fad666ce897007fd4b716c6bb0452bc994c6f2b062d81219a44d42/IMG_8804.JPG" /> <img width="5315" height="3543" width_o="5315" height_o="3543" data-src="https://freight.cargo.site/t/original/i/f2fa596c777f8d5c05c7254d9f81e1527b6de18116cca7da414fafa608af2f14/IMG_0174.JPG" data-mid="155837094" border="0" src="https://freight.cargo.site/w/1000/i/f2fa596c777f8d5c05c7254d9f81e1527b6de18116cca7da414fafa608af2f14/IMG_0174.JPG" /> <img width="5174" height="3449" width_o="5174" height_o="3449" data-src="https://freight.cargo.site/t/original/i/951b7920bd83a3c3ae5dca7006515199e4fafc8b7a8dd1ff327b2d06287189bf/1X4A3571.jpg" data-mid="175081166" border="0" src="https://freight.cargo.site/w/1000/i/951b7920bd83a3c3ae5dca7006515199e4fafc8b7a8dd1ff327b2d06287189bf/1X4A3571.jpg" /> 2022. Mining Data. Contemporary art museum. Santiago. Chile. This artistic research is about the political, social and economical infuences of Guggenheim Brothers Company (most important mining company in 20th century worlwide), on Chilean soil. Who through their multinational companies were the promoters of the copper and nitrates mining industry in Chile and worldwide. This artwork makes links with the mith of Guggenheim enterprises in Chile, and de memorial sculpture as an alegoric simbolism of american industrial colonialism in southamerica. + info publishing catalogue Mining Data 2022. White Lands( Tierras Blancas). Video animation digital. Full HD and stereo sound. Time 3:00 minutes loop.Collaboration Alvaro Muñoz.